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Short Stories

  • E.A. Petricone, "We, The Girls Who Did Not Make It" (tw horror, violence)
    www.nightmare-magazine.com We, the Girls Who Did Not Make It - Nightmare Magazine

    We are not where we are buried. We are where they kept us. We float now, and see the low building in the woods from above, the long plates of rusted metal, the desiccated grass bundling against the sides like a pyre, the orb spider poised over a corroded edge. But when we were alive, we only knew th...

    We, the Girls Who Did Not Make It - Nightmare Magazine
    2
  • Lacanoodle Lacanoodle @literature.cafe
    You Perfect, Broken Thing by C.L Clark
    www.uncannymagazine.com You Perfect, Broken Thing - Uncanny Magazine

    When I leave the kill floor, my legs are wasted. I shuffle to the women’s locker room. I can’t stand anymore, but I know if I sit, I’ll never get back up. At least, not for another hour. I prop myself up on my open locker. My hands are shaking, too. My fingertips are blue, […]

    You Perfect, Broken Thing - Uncanny Magazine
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  • Sci-Fi Short Stories with Mary Robinette Kowal and Brandon Sanderson | Five Favorites

    Some of these have already been posted here in this community. Bit it's nice to hear em talk about it.

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  • "The Lottery" by Shirley Jackson
    www.newyorker.com “The Lottery,” by Shirley Jackson

    Fiction, from 1948: “The people had done it so many times that they only half listened to the directions; most of them were quiet, wetting their lips, not looking around.”

    “The Lottery,” by Shirley Jackson
    3
  • “The Gorge” by Umberto Eco
    www.newyorker.com “The Gorge,” by Umberto Eco

    Fiction, from 2005: “I must wait for the memories to come of their own accord, following their own logic. That is how it is in the fog.”

    “The Gorge,” by Umberto Eco

    LOOOOVE Umberto Eco

    3
  • Story of Your Life by Ted Chiang

    Maybe my favourite short story ever. Def top 5. The story on which the incredible Dennis Vellenuve movie Arrival is based. Which is also my favorite movie. Basically I couldnt recommend this story enough!

    8
  • Sour Milk Girls by Erin Roberts
    clarkesworldmagazine.com Clarkesworld Magazine - Science Fiction & Fantasy

    Clarkesworld Science Fiction and Fantasy Magazine and Podcast. This page: Sour Milk Girls by Erin Roberts

    Clarkesworld Magazine - Science Fiction & Fantasy
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  • The Chaos of Heat by Sefton Eisenhart
    nantucketebooks.com The Chaos of Heat by Sefton Eisenhart (FREE E-BOOK)

    The only reason Dash was giving Vince a chance was because they were kind of friends growing up. These days they occupied distinctly opposite places when it came to supply and demand.

    The Chaos of Heat is a crime story as unrelenting as the heat wave described in its vivid prose. It follows a man who, wracked by heroin addiction, finds himself at the front of a dangerous robbery spree. Will Vince survive long enough to get his next fix, or is he little more than shark bait, out of his depth?

    1
  • Collapsing Cosmoses By R. H. Barlow and H. P. Lovecraft

    [Note: Barlow’s contributions are in brackets.]

    Dam Bor glued each of his six eyes to the lenses of the cosmoscope. His nasal tentacles were orange with fear, and his antennae buzzed hoarsely as he dictated his report to the operator behind him. “It has come!” he cried. “That blur in the ether can be nothing less than a fleet from outside the space-time continuum we know. Nothing like this has ever appeared before. It must be an enemy. Give the alarm to the Inter-Cosmic Chamber of Commerce. There’s no time to lose—at this rate they’ll be upon us in less than six centuries. Hak Ni must have a chance to get the fleet in action at once.” [I glanced up from the Windy City Grab-Bag, which had beguiled my inactive peace-time days in the Super-Galactic Patrol. The handsome young vegetable, with whom I shared my bowl of caterpillar custard since earliest infancy, and with whom I had been thrown out of every joint in the intra-dimensional city of Kastor-Ya,] had really a worried look upon his lavender face. After he had given the alarm we jumped on our ether-bikes and hastened across to the outer planet on which the Chamber held its sessions. [Within the Great Council Chamber, which measured twenty-eight square feet (with quite a high ceiling), were gathered delegates from all the thirty-seven galaxies of our immediate universe. Oll Stof, President of the Chamber and representative of the Milliner’s Soviet, raised his eyeless snout with dignity] and prepared to address the assembled multitude. He was a highly developed protozoan organism from Nov-Kas, and spoke by emitting alternate waves of heat and cold. [“Gentlemen,” he radiated, “a terrible peril has come upon us which I feel I must bring to your attention.” Everybody applauded riotously, as a wave of excitement rippled through the variegated audience; those who were handless slithering their tentacles together. He continued: “Hak Ni, crawl upon the dais!” There was a thunderous silence, during which a faint prompting was heard] from the dizzy summit of the platform. [Hak Ni, the yellow-furred and valorous commander of our ranks through numerous installments, ascended to the towering peak inches above the floor. “My friends—” he began, with an eloquent scraping of his posterior limbs, “these treasured walls and pillars shall not mourn on my account....” At this point, one of his numerous relatives cheered. “Well do I remember when...” Oll Stof interrupted him.] “You have anticipated my thoughts and orders. Go forth and win for dear old Inter-Cosmic.” [Two paragraphs later found us soaring out past innumerable stars toward where a faint blur half a million light-years long marked the presence of the hated enemy, whom we had not seen. What monsters of malformed grotesqueness seethed out there among the moons of infinity, we really didn’t know, but there was a malign menace in the glow that steadily increased until it spanned the entire heavens. Very soon we made out separate objects in the blur. Before all my horror-stricken vision-areas there spread an endless array of scissors-shaped space-ships of totally unfamiliar form. Then from the direction of the enemy there came a terrifying sound, which I soon recognised as a hail and a challenge. An answering thrill crept through me as I met with uplifted antennae this threat of battle with a monstrous intrusion upon our fair system from unknown outside abysses.] At the sound, [which was something like that of a rusty sewing-machine, only more horrible,] Hak Ni too raised his snout in defiance, radiating a masterful order to the captains of the fleet. Instantly the huge space-ships swung into battle formation, with only a hundred or two of them many light-years out of line.

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  • The Fall of the House of Usher by Edgar Allan Poe

    Son coeur est un luth suspendu; Sitot qu'on le touche il resonne. -De Beranger.

    DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was --but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me --upon the mere house, and the simple landscape features of the domain --upon the bleak walls --upon the vacant eye-like windows --upon a few rank sedges --and upon a few white trunks of decayed trees --with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium --the bitter lapse into everyday life --the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart --an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it --I paused to think --what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down --but with a shudder even more thrilling than before --upon the remodelled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant and eye-like windows.

    Nevertheless, in this mansion of gloom I now proposed to myself a sojourn of some weeks. Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country --a letter from him --which, in its wildly importunate nature, had admitted of no other than a personal reply. The MS. gave evidence of nervous agitation. The writer spoke of acute bodily illness --of a mental disorder which oppressed him --and of an earnest desire to see me, as his best, and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady. It was the manner in which all this, and much more, was said --it the apparent heart that went with his request --which allowed me no room for hesitation; and I accordingly obeyed forthwith what I still considered a very singular summons.

    Although, as boys, we had been even intimate associates, yet I really knew little of my friend. His reserve had been always excessive and habitual. I was aware, however, that his very ancient family had been noted, time out of mind, for a peculiar sensibility of temperament, displaying itself, through long ages, in many works of exalted art, and manifested, of late, in repeated deeds of munificent yet unobtrusive charity, as well as in a passionate devotion to the intricacies, perhaps even more than to the orthodox and easily recognisable beauties, of musical science. I had learned, too, the very remarkable fact, that the stem of the Usher race, all time-honoured as it was, had put forth, at no period, any enduring branch; in other words, that the entire family lay in the direct line of descent, and had always, with very trifling and very temporary variation, so lain. It was this deficiency, I considered, while running over in thought the perfect keeping of the character of the premises with the accredited character of the people, and while speculating upon the possible influence which the one, in the long lapse of centuries, might have exercised upon the other --it was this deficiency, perhaps, of collateral issue, and the consequent undeviating transmission, from sire to son, of the patrimony with the name, which had, at length, so identified the two as to merge the original title of the estate in the quaint and equivocal appellation of the "House of Usher" --an appellation which seemed to include, in the minds of the peasantry who used it, both the family and the family mansion.

    I have said that the sole effect of my somewhat childish experiment --that of looking down within the tarn --had been to deepen the first singular impression. There can be no doubt that the consciousness of the rapid increase of my superstition --for why should I not so term it? --served mainly to accelerate the increase itself. Such, I have long known, is the paradoxical law of all sentiments having terror as a basis. And it might have been for this reason only, that, when I again uplifted my eyes to the house itself, from its image in the pool, there grew in my mind a strange fancy --a fancy so ridiculous, indeed, that I but mention it to show the vivid force of the sensations which oppressed me. I had so worked upon my imagination as really to believe that about the whole mansion and domain there hung an atmosphere peculiar to themselves and their immediate vicinity-an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the gray wall, and the silent tarn --a pestilent and mystic vapour, dull, sluggish, faintly discernible, and leaden-hued.

    Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinising observer might have discovered a barely perceptible fissure, which, extending from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of the tarn.

    Noticing these things, I rode over a short causeway to the house. A servant in waiting took my horse, and I entered the Gothic archway of the hall. A valet, of stealthy step, thence conducted me, in silence, through many dark and intricate passages in my progress to the studio of his master. Much that I encountered on the way contributed, I know not how, to heighten the vague sentiments of which I have already spoken. While the objects around me --while the carvings of the ceilings, the sombre tapestries of the walls, the ebon blackness of the floors, and the phantasmagoric armorial trophies which rattled as I strode, were but matters to which, or to such as which, I had been accustomed from my infancy --while I hesitated not to acknowledge how familiar was all this --I still wondered to find how unfamiliar were the fancies which ordinary images were stirring up. On one of the staircases, I met the physician of the family. His countenance, I thought, wore a mingled expression of low cunning and perplexity. He accosted me with trepidation and passed on. The valet now threw open a door and ushered me into the presence of his master.

    The room in which I found myself was very large and lofty. The windows were long, narrow, and pointed, and at so vast a distance from the black oaken floor as to be altogether inaccessible from within. Feeble gleams of encrimsoned light made their way through the trellised panes, and served to render sufficiently distinct the more prominent objects around; the eye, however, struggled in vain to reach the remoter angles of the chamber, or the recesses of the vaulted and fretted ceiling. Dark draperies hung upon the walls. The general furniture was profuse, comfortless, antique, and tattered. Many books and musical instruments lay scattered about, but failed to give any vitality to the scene. I felt that I breathed an atmosphere of sorrow. An air of stern, deep, and irredeemable gloom hung over and pervaded all.

    Upon my entrance, Usher arose from a sofa on which he had been lying at full length, and greeted me with a vivacious warmth which had much in it, I at first thought, of an overdone cordiality --of the constrained effort of the ennuye man of the world. A glance, however, at his countenance, convinced me of his perfect sincerity. We sat down; and for some moments, while he spoke not, I gazed upon him with a feeling half of pity, half of awe. Surely, man had never before so terribly altered, in so brief a period, as had Roderick Usher! It was with difficulty that I could bring myself to admit the identity of the wan being before me with the companion of my early boyhood. Yet the character of his face had been at all times remarkable. A cadaverousness of complexion; an eye large, liquid, and luminous beyond comparison; lips somewhat thin and very pallid, but of a surpassingly beautiful curve; a nose of a delicate Hebrew model, but with a breadth of nostril unusual in similar formations; a finely moulded chin, speaking, in its want of prominence, of a want of moral energy; hair of a more than web-like softness and tenuity; these features, with an inordinate expansion above the regions of the temple, made up altogether a countenance not easily to be forgotten. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now ghastly pallor of the skin, and the now miraculous lustre of the eve, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity.

    In the manner of my friend I was at once struck with an incoherence --an inconsistency; and I soon found this to arise from a series of feeble and futile struggles to overcome an habitual trepidancy --an excessive nervous agitation. For something of this nature I had indeed been prepared, no less by his letter, than by reminiscences of certain boyish traits, and by conclusions deduced from his peculiar physical conformation and temperament. His action was alternately vivacious and sullen. His voice varied rapidly from a tremulous indecision (when the animal spirits seemed utterly in abeyance) to that species of energetic concision --that abrupt, weighty, unhurried, and hollow-sounding enunciation --that leaden, self-balanced and perfectly modulated guttural utterance, which may be observed in the lost drunkard, or the irreclaimable eater of opium, during the periods of his most intense excitement.

    It was thus that he spoke of the object of my visit, of his earnest desire to see me, and of the solace he expected me to afford him. He entered, at some length, into what he conceived to be the nature of his malady. It was, he said, a constitutional and a family evil, and one for which he despaired to find a remedy --a mere nervous affection, he immediately added, which would undoubtedly soon pass off. It displayed itself in a host of unnatural sensations. Some of these, as he detailed them, interested and bewildered me; although, perhaps, the terms, and the general manner of the narration had their weight. He suffered much from a morbid acuteness of the senses; the most insipid food was alone endurable; he could wear only garments of certain texture; the odours of all flowers were oppressive; his eyes were tortured by even a faint light; and there were but peculiar sounds, and these from stringed instruments, which did not inspire him with horror.

    To an anomalous species of terror I found him a bounden slave. "I shall perish," said he, "I must perish in this deplorable folly. Thus, thus, and not otherwise, shall I be lost. I dread the events of the future, not in themselves, but in their results. I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed, no abhorrence of danger, except in its absolute effect --in terror. In this unnerved-in this pitiable condition --I feel that the period will sooner or later arrive when I must abandon life and reason together, in some struggle with the grim phantasm, FEAR."

    I learned, moreover, at intervals, and through broken and equivocal hints, another singular feature of his mental condition. He was enchained by certain superstitious impressions in regard to the dwelling which he tenanted, and whence, for many years, he had never ventured forth --in regard to an influence whose supposititious force was conveyed in terms too shadowy here to be re-stated --an influence which some peculiarities in the mere form and substance of his family mansion, had, by dint of long sufferance, he said, obtained over his spirit-an effect which the physique of the gray walls and turrets, and of the dim tarn into which they all looked down, had, at length, brought about upon the morale of his existence.

    He admitted, however, although with hesitation, that much of the peculiar gloom which thus afflicted him could be traced to a more natural and far more palpable origin --to the severe and long-continued illness --indeed to the evidently approaching dissolution-of a tenderly beloved sister --his sole companion for long years --his last and only relative on earth. "Her decease," he said, with a bitterness which I can never forget, "would leave him (him the hopeless and the frail) the last of the ancient race of the Ushers." While he spoke, the lady Madeline (for so was she called) passed slowly through a remote portion of the apartment, and, without having noticed my presence, disappeared. I regarded her with an utter astonishment not unmingled with dread --and yet I found it impossible to account for such feelings. A sensation of stupor oppressed me, as my eyes followed her retreating steps. When a door, at length, closed upon her, my glance sought instinctively and eagerly the countenance of the brother --but he had buried his face in his hands, and I could only perceive that a far more than ordinary wanness had overspread the emaciated fingers through which trickled many passionate tears.

    The disease of the lady Madeline had long baffled the skill of her physicians. A settled apathy, a gradual wasting away of the person, and frequent although transient affections of a partially cataleptical character, were the unusual diagnosis. Hitherto she had steadily borne up against the pressure of her malady, and had not betaken herself finally to bed; but, on the closing in of the evening of my arrival at the house, she succumbed (as her brother told me at night with inexpressible agitation) to the prostrating power of the destroyer; and I learned that the glimpse I had obtained of her person would thus probably be the last I should obtain --that the lady, at least while living, would be seen by me no more.

    For several days ensuing, her name was unmentioned by either Usher or myself: and during this period I was busied in earnest endeavours to alleviate the melancholy of my friend. We painted and read together; or I listened, as if in a dream, to the wild improvisations of his speaking guitar. And thus, as a closer and still intimacy admitted me more unreservedly into the recesses of his spirit, the more bitterly did I perceive the futility of all attempt at cheering a mind from which darkness, as if an inherent positive quality, poured forth upon all objects of the moral and physical universe, in one unceasing radiation of gloom.

    I shall ever bear about me a memory of the many solemn hours I thus spent alone with the master of the House of Usher. Yet I should fail in any attempt to convey an idea of the exact character of the studies, or of the occupations, in which he involved me, or led me the way. An excited and highly distempered ideality threw a sulphureous lustre over all. His long improvised dirges will ring forever in my ears. Among other things, I hold painfully in mind a certain singular perversion and amplification of the wild air of the last waltz of Von Weber. From the paintings over which his elaborate fancy brooded, and which grew, touch by touch, into vaguenesses at which I shuddered the more thrillingly, because I shuddered knowing not why; --from these paintings (vivid as their images now are before me) I would in vain endeavour to educe more than a small portion which should lie within the compass of merely written words. By the utter simplicity, by the nakedness of his designs, he arrested and overawed attention. If ever mortal painted an idea, that mortal was Roderick Usher. For me at least --in the circumstances then surrounding me --there arose out of the pure abstractions which the hypochondriac contrived to throw upon his canvas, an intensity of intolerable awe, no shadow of which felt I ever yet in the contemplation of the certainly glowing yet too concrete reveries of Fuseli.

    One of the phantasmagoric conceptions of my friend, partaking not so rigidly of the spirit of abstraction, may be shadowed forth, although feebly, in words. A small picture presented the interior of an immensely long and rectangular vault or tunnel, with low walls, smooth, white, and without interruption or device. Certain accessory points of the design served well to convey the idea that this excavation lay at an exceeding depth below the surface of the earth. No outlet was observed in any portion of its vast extent, and no torch, or other artificial source of light was discernible; yet a flood of intense rays rolled throughout, and bathed the whole in a ghastly and inappropriate splendour.

    I have just spoken of that morbid condition of the auditory nerve which rendered all music intolerable to the sufferer, with the exception of certain effects of stringed instruments. It was, perhaps, the narrow limits to which he thus confined himself upon the guitar, which gave birth, in great measure, to the fantastic character of his performances. But the fervid facility of his impromptus could not be so accounted for. They must have been, and were, in the notes, as well as in the words of his wild fantasias (for he not unfrequently accompanied himself with rhymed verbal improvisations), the result of that intense mental collectedness and concentration to which I have previously alluded as observable only in particular moments of the highest artificial excitement. The words of one of these rhapsodies I have easily remembered. I was, perhaps, the more forcibly impressed with it, as he gave it, because, in the under or mystic current of its meaning, I fancied that I perceived, and for the first time, a full consciousness on the part of Usher, of the tottering of his lofty reason upon her throne. The verses, which were entitled "The Haunted Palace," ran very nearly, if not accurately, thus:

    I.

    In the greenest of our valleys, By good angels tenanted, Once fair and stately palace -- Radiant palace --reared its head. In the monarch Thought's dominion -- It stood there! Never seraph spread a pinion Over fabric half so fair.

    II.

    Banners yellow, glorious, golden, On its roof did float and flow; (This --all this --was in the olden Time long ago) And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odour went away.

    III.

    Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute's well-tuned law, Round about a throne, where sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen.

    IV.

    And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king.

    V.

    But evil things, in robes of sorrow, Assailed the monarch's high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed Is but a dim-remembered story Of the old time entombed.

    VI.

    And travellers now within that valley, Through the red-litten windows, see Vast forms that move fantastically To a discordant melody; While, like a rapid ghastly river, Through the pale door, A hideous throng rush out forever, And laugh --but smile no more.

    I well remember that suggestions arising from this ballad led us into a train of thought wherein there became manifest an opinion of Usher's which I mention not so much on account of its novelty, (for other men have thought thus,) as on account of the pertinacity with which he maintained it. This opinion, in its general form, was that of the sentience of all vegetable things. But, in his disordered fancy, the idea had assumed a more daring character, and trespassed, under certain conditions, upon the kingdom of inorganization. I lack words to express the full extent, or the earnest abandon of his persuasion. The belief, however, was connected (as I have previously hinted) with the gray stones of the home of his forefathers. The conditions of the sentience had been here, he imagined, fulfilled in the method of collocation of these stones --in the order of their arrangement, as well as in that of the many fungi which overspread them, and of the decayed trees which stood around --above all, in the long undisturbed endurance of this arrangement, and in its reduplication in the still waters of the tarn. Its evidence --the evidence of the sentience --was to be seen, he said, (and I here started as he spoke,) in the gradual yet certain condensation of an atmosphere of their own about the waters and the walls. The result was discoverable, he added, in that silent, yet importunate and terrible influence which for centuries had moulded the destinies of his family, and which made him what I now saw him --what he was. Such opinions need no comment, and I will make none.

    Our books --the books which, for years, had formed no small portion of the mental existence of the invalid --were, as might be supposed, in strict keeping with this character of phantasm. We pored together over such works as the Ververt et Chartreuse of Gresset; the Belphegor of Machiavelli; the Heaven and Hell of Swedenborg; the Subterranean Voyage of Nicholas Klimm by Holberg; the Chiromancy of Robert Flud, of Jean D'Indagine, and of De la Chambre; the Journey into the Blue Distance of Tieck; and the City of the Sun of Campanella. One favourite volume was a small octavo edition of the Directorium Inquisitorum, by the Dominican Eymeric de Gironne; and there were passages in Pomponius Mela, about the old African Satyrs and AEgipans, over which Usher would sit dreaming for hours. His chief delight, however, was found in the perusal of an exceedingly rare and curious book in quarto Gothic --the manual of a forgotten church --the Vigilae Mortuorum secundum Chorum Ecclesiae Maguntinae.

    I could not help thinking of the wild ritual of this work, and of its probable influence upon the hypochondriac, when, one evening, having informed me abruptly that the lady Madeline was no more, he stated his intention of preserving her corpse for a fortnight, (previously to its final interment,) in one of the numerous vaults within the main walls of the building. The worldly reason, however, assigned for this singular proceeding, was one which I did not feel at liberty to dispute. The brother had been led to his resolution (so he told me) by consideration of the unusual character of the malady of the deceased, of certain obtrusive and eager inquiries on the part of her medical men, and of the remote and exposed situation of the burial-ground of the family. I will not deny that when I called to mind the sinister countenance of the person whom I met upon the stair case, on the day of my arrival at the house, I had no desire to oppose what I regarded as at best but a harmless, and by no means an unnatural, precaution.

    At the request of Usher, I personally aided him in the arrangements for the temporary entombment. The body having been encoffined, we two alone bore it to its rest. The vault in which we placed it (and which had been so long unopened that our torches, half smothered in its oppressive atmosphere, gave us little opportunity for investigation) was small, damp, and entirely without means of admission for light; lying, at great depth, immediately beneath that portion of the building in which was my own sleeping apartment. It had been used, apparently, in remote feudal times, for the worst purposes of a donjon-keep, and, in later days, as a place of deposit for powder, or some other highly combustible substance, as a portion of its floor, and the whole interior of a long archway through which we reached it, were carefully sheathed with copper. The door, of massive iron, had been, also, similarly protected. Its immense weight caused an unusually sharp grating sound, as it moved upon its hinges.

    Having deposited our mournful burden upon tressels within this region of horror, we partially turned aside the yet unscrewed lid of the coffin, and looked upon the face of the tenant. A striking similitude between the brother and sister now first arrested my attention; and Usher, divining, perhaps, my thoughts, murmured out some few words from which I learned that the deceased and himself had been twins, and that sympathies of a scarcely intelligible nature had always existed between them. Our glances, however, rested not long upon the dead --for we could not regard her unawed. The disease which had thus entombed the lady in the maturity of youth, had left, as usual in all maladies of a strictly cataleptical character, the mockery of a faint blush upon the bosom and the face, and that suspiciously lingering smile upon the lip which is so terrible in death. We replaced and screwed down the lid, and, having secured the door of iron, made our way, with toll, into the scarcely less gloomy apartments of the upper portion of the house.

    And now, some days of bitter grief having elapsed, an observable change came over the features of the mental disorder of my friend. His ordinary manner had vanished. His ordinary occupations were neglected or forgotten. He roamed from chamber to chamber with hurried, unequal, and objectless step. The pallor of his countenance had assumed, if possible, a more ghastly hue --but the luminousness of his eye had utterly gone out. The once occasional huskiness of his tone was heard no more; and a tremulous quaver, as if of extreme terror, habitually characterized his utterance. There were times, indeed, when I thought his unceasingly agitated mind was labouring with some oppressive secret, to divulge which he struggled for the necessary courage. At times, again, I was obliged to resolve all into the mere inexplicable vagaries of madness, for I beheld him gazing upon vacancy for long hours, in an attitude of the profoundest attention, as if listening to some imaginary sound. It was no wonder that his condition terrified-that it infected me. I felt creeping upon me, by slow yet certain degrees, the wild influences of his own fantastic yet impressive superstitions.

    It was, especially, upon retiring to bed late in the night of the seventh or eighth day after the placing of the lady Madeline within the donjon, that I experienced the full power of such feelings. Sleep came not near my couch --while the hours waned and waned away. I struggled to reason off the nervousness which had dominion over me. I endeavoured to believe that much, if not all of what I felt, was due to the bewildering influence of the gloomy furniture of the room --of the dark and tattered draperies, which, tortured into motion by the breath of a rising tempest, swayed fitfully to and fro upon the walls, and rustled uneasily about the decorations of the bed. But my efforts were fruitless. An irrepressible tremour gradually pervaded my frame; and, at length, there sat upon my very heart an incubus of utterly causeless alarm. Shaking this off with a gasp and a struggle, I uplifted myself upon the pillows, and, peering earnestly within the intense darkness of the chamber, hearkened --I know not why, except that an instinctive spirit prompted me --to certain low and indefinite sounds which came, through the pauses of the storm, at long intervals, I knew not whence. Overpowered by an intense sentiment of horror, unaccountable yet unendurable, I threw on my clothes with haste (for I felt that I should sleep no more during the night), and endeavoured to arouse myself from the pitiable condition into which I had fallen, by pacing rapidly to and fro through the apartment.

    I had taken but few turns in this manner, when a light step on an adjoining staircase arrested my attention. I presently recognised it as that of Usher. In an instant afterward he rapped, with a gentle touch, at my door, and entered, bearing a lamp. His countenance was, as usual, cadaverously wan --but, moreover, there was a species of mad hilarity in his eyes --an evidently restrained hysteria in his whole demeanour. His air appalled me --but anything was preferable to the solitude which I had so long endured, and I even welcomed his presence as a relief.

    "And you have not seen it?" he said abruptly, after having stared about him for some moments in silence --"you have not then seen it? --but, stay! you shall." Thus speaking, and having carefully shaded his lamp, he hurried to one of the casements, and threw it freely open to the storm.

    The impetuous fury of the entering gust nearly lifted us from our feet. It was, indeed, a tempestuous yet sternly beautiful night, and one wildly singular in its terror and its beauty. A whirlwind had apparently collected its force in our vicinity; for there were frequent and violent alterations in the direction of the wind; and the exceeding density of the clouds (which hung so low as to press upon the turrets of the house) did not prevent our perceiving the life-like velocity with which they flew careering from all points against each other, without passing away into the distance. I say that even their exceeding density did not prevent our perceiving this --yet we had no glimpse of the moon or stars --nor was there any flashing forth of the lightning. But the under surfaces of the huge masses of agitated vapour, as well as all terrestrial objects immediately around us, were glowing in the unnatural light of a faintly luminous and distinctly visible gaseous exhalation which hung about and enshrouded the mansion.

    "You must not --you shall not behold this!" said I, shudderingly, to Usher, as I led him, with a gentle violence, from the window to a seat. "These appearances, which bewilder you, are merely electrical phenomena not uncommon --or it may be that they have their ghastly origin in the rank miasma of the tarn. Let us close this casement; --the air is chilling and dangerous to your frame. Here is one of your favourite romances. I will read, and you shall listen; --and so we will pass away this terrible night together."

    The antique volume which I had taken up was the "Mad Trist" of Sir Launcelot Canning; but I had called it a favourite of Usher's more in sad jest than in earnest; for, in truth, there is little in its uncouth and unimaginative prolixity which could have had interest for the lofty and spiritual ideality of my friend. It was, however, the only book immediately at hand; and I indulged a vague hope that the excitement which now agitated the hypochondriac, might find relief (for the history of mental disorder is full of similar anomalies) even in the extremeness of the folly which I should read. Could I have judged, indeed, by the wild over-strained air of vivacity with which he hearkened, or apparently hearkened, to the words of the tale, I might well have congratulated myself upon the success of my design.

    I had arrived at that well-known portion of the story where Ethelred, the hero of the Trist, having sought in vain for peaceable admission into the dwelling of the hermit, proceeds to make good an entrance by force. Here, it will be remembered, the words of the narrative run thus:

    "And Ethelred, who was by nature of a doughty heart, and who was now mighty withal, on account of the powerfulness of the wine which he had drunken, waited no longer to hold parley with the hermit, who, in sooth, was of an obstinate and maliceful turn, but, feeling the rain upon his shoulders, and fearing the rising of the tempest, uplifted his mace outright, and, with blows, made quickly room in the plankings of the door for his gauntleted hand; and now pulling there-with sturdily, he so cracked, and ripped, and tore all asunder, that the noise of the dry and hollow-sounding wood alarumed and reverberated throughout the forest.

    At the termination of this sentence I started, and for a moment, paused; for it appeared to me (although I at once concluded that my excited fancy had deceived me) --it appeared to me that, from some very remote portion of the mansion, there came, indistinctly, to my ears, what might have been, in its exact similarity of character, the echo (but a stifled and dull one certainly) of the very cracking and ripping sound which Sir Launcelot had so particularly described. It was, beyond doubt, the coincidence alone which had arrested my attention; for, amid the rattling of the sashes of the casements, and the ordinary commingled noises of the still increasing storm, the sound, in itself, had nothing, surely, which should have interested or disturbed me. I continued the story:

    "But the good champion Ethelred, now entering within the door, was sore enraged and amazed to perceive no signal of the maliceful hermit; but, in the stead thereof, a dragon of a scaly and prodigious demeanour, and of a fiery tongue, which sate in guard before a palace of gold, with a floor of silver; and upon the wall there hung a shield of shining brass with this legend enwritten --

    Who entereth herein, a conqueror hath bin; Who slayeth the dragon, the shield he shall win.

    And Ethelred uplifted his mace, and struck upon the head of the dragon, which fell before him, and gave up his pesty breath, with a shriek so horrid and harsh, and withal so piercing, that Ethelred had fain to close his ears with his hands against the dreadful noise of it, the like whereof was never before heard."

    Here again I paused abruptly, and now with a feeling of wild amazement --for there could be no doubt whatever that, in this instance, I did actually hear (although from what direction it proceeded I found it impossible to say) a low and apparently distant, but harsh, protracted, and most unusual screaming or grating sound --the exact counterpart of what my fancy had already conjured up for the dragon's unnatural shriek as described by the romancer.

    Oppressed, as I certainly was, upon the occurrence of the second and most extraordinary coincidence, by a thousand conflicting sensations, in which wonder and extreme terror were predominant, I still retained sufficient presence of mind to avoid exciting, by any observation, the sensitive nervousness of my companion. I was by no means certain that he had noticed the sounds in question; although, assuredly, a strange alteration had, during the last few minutes, taken place in his demeanour. From a position fronting my own, he had gradually brought round his chair, so as to sit with his face to the door of the chamber; and thus I could but partially perceive his features, although I saw that his lips trembled as if he were murmuring inaudibly. His head had dropped upon his breast --yet I knew that he was not asleep, from the wide and rigid opening of the eye as I caught a glance of it in profile. The motion of his body, too, was at variance with this idea --for he rocked from side to side with a gentle yet constant and uniform sway. Having rapidly taken notice of all this, I resumed the narrative of Sir Launcelot, which thus proceeded:

    "And now, the champion, having escaped from the terrible fury of the dragon, bethinking himself of the brazen shield, and of the breaking up of the enchantment which was upon it, removed the carcass from out of the way before him, and approached valorously over the silver pavement of the castle to where the shield was upon the wall; which in sooth tarried not for his full coming, but fell down at his feet upon the silver floor, with a mighty great and terrible ringing sound."

    No sooner had these syllables passed my lips, than --as if a shield of brass had indeed, at the moment, fallen heavily upon a floor of silver, became aware of a distinct, hollow, metallic, and clangorous, yet apparently muffled reverberation. Completely unnerved, I leaped to my feet; but the measured rocking movement of Usher was undisturbed. I rushed to the chair in which he sat. His eyes were bent fixedly before him, and throughout his whole countenance there reigned a stony rigidity. But, as I placed my hand upon his shoulder, there came a strong shudder over his whole person; a sickly smile quivered about his lips; and I saw that he spoke in a low, hurried, and gibbering murmur, as if unconscious of my presence. Bending closely over him, I at length drank in the hideous import of his words.

    "Not hear it? --yes, I hear it, and have heard it. Long --long --long --many minutes, many hours, many days, have I heard it --yet I dared not --oh, pity me, miserable wretch that I am! --I dared not --I dared not speak! We have put her living in the tomb! Said I not that my senses were acute? I now tell you that I heard her first feeble movements in the hollow coffin. I heard them --many, many days ago --yet I dared not --I dared not speak! And now --to-night --Ethelred --ha! ha! --the breaking of the hermit's door, and the death-cry of the dragon, and the clangour of the shield! --say, rather, the rending of her coffin, and the grating of the iron hinges of her prison, and her struggles within the coppered archway of the vault! Oh whither shall I fly? Will she not be here anon? Is she not hurrying to upbraid me for my haste? Have I not heard her footstep on the stair? Do I not distinguish that heavy and horrible beating of her heart? MADMAN!" here he sprang furiously to his feet, and shrieked out his syllables, as if in the effort he were giving up his soul --"MADMAN! I TELL YOU THAT SHE NOW STANDS WITHOUT THE DOOR!"

    As if in the superhuman energy of his utterance there had been found the potency of a spell --the huge antique panels to which the speaker pointed, threw slowly back, upon the instant, ponderous and ebony jaws. It was the work of the rushing gust --but then without those doors there DID stand the lofty and enshrouded figure of the lady Madeline of Usher. There was blood upon her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame. For a moment she remained trembling and reeling to and fro upon the threshold, then, with a low moaning cry, fell heavily inward upon the person of her brother, and in her violent and now final death-agonies, bore him to the floor a corpse, and a victim to the terrors he had anticipated.

    From that chamber, and from that mansion, I fled aghast. The storm was still abroad in all its wrath as I found myself crossing the old causeway. Suddenly there shot along the path a wild light, and I turned to see whence a gleam so unusual could have issued; for the vast house and its shadows were alone behind me. The radiance was that of the full, setting, and blood-red moon which now shone vividly through that once barely-discernible fissure of which I have before spoken as extending from the roof of the building, in a zig-zag direction, to the base. While I gazed, this fissure rapidly widened --there came a fierce breath of the whirlwind --the entire orb of the satellite burst at once upon my sight --my brain reeled as I saw the mighty walls rushing asunder --there was a long tumultuous shouting sound like the voice of a thousand waters --and the deep and dank tarn at my feet closed sullenly and silently over the fragments of the "HOUSE OF USHER."

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  • The Cask of Amontillado by Edgar Alan Poe

    The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that gave utterance to a threat. At length I would be avenged; this was a point definitely, settled --but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.

    It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.

    He had a weak point -- this Fortunato -- although in other regards he was a man to be respected and even feared. He prided himself on his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity, to practise imposture upon the British and Austrian millionaires. In painting and gemmary, Fortunato, like his countrymen, was a quack, but in the matter of old wines he was sincere. In this respect I did not differ from him materially; --I was skillful in the Italian vintages myself, and bought largely whenever I could.

    It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand.

    I said to him --"My dear Fortunato, you are luckily met. How remarkably well you are looking to-day. But I have received a pipe of what passes for Amontillado, and I have my doubts."

    "How?" said he. "Amontillado, A pipe? Impossible! And in the middle of the carnival!"

    "I have my doubts," I replied; "and I was silly enough to pay the full Amontillado price without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain."

    "Amontillado!"

    "I have my doubts."

    "Amontillado!"

    "And I must satisfy them."

    "Amontillado!"

    "As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me --"

    "Luchresi cannot tell Amontillado from Sherry."

    "And yet some fools will have it that his taste is a match for your own.

    "Come, let us go."

    "Whither?"

    "To your vaults."

    "My friend, no; I will not impose upon your good nature. I perceive you have an engagement. Luchresi--"

    "I have no engagement; --come."

    "My friend, no. It is not the engagement, but the severe cold with which I perceive you are afflicted. The vaults are insufferably damp. They are encrusted with nitre."

    "Let us go, nevertheless. The cold is merely nothing. Amontillado! You have been imposed upon. And as for Luchresi, he cannot distinguish Sherry from Amontillado."

    Thus speaking, Fortunato possessed himself of my arm; and putting on a mask of black silk and drawing a roquelaire closely about my person, I suffered him to hurry me to my palazzo.

    There were no attendants at home; they had absconded to make merry in honour of the time. I had told them that I should not return until the morning, and had given them explicit orders not to stir from the house. These orders were sufficient, I well knew, to insure their immediate disappearance, one and all, as soon as my back was turned.

    I took from their sconces two flambeaux, and giving one to Fortunato, bowed him through several suites of rooms to the archway that led into the vaults. I passed down a long and winding staircase, requesting him to be cautious as he followed. We came at length to the foot of the descent, and stood together upon the damp ground of the catacombs of the Montresors.

    The gait of my friend was unsteady, and the bells upon his cap jingled as he strode.

    "The pipe," he said.

    "It is farther on," said I; "but observe the white web-work which gleams from these cavern walls."

    He turned towards me, and looked into my eyes with two filmy orbs that distilled the rheum of intoxication.

    "Nitre?" he asked, at length.

    "Nitre," I replied. "How long have you had that cough?"

    "Ugh! ugh! ugh! --ugh! ugh! ugh! --ugh! ugh! ugh! --ugh! ugh! ugh! --ugh! ugh! ugh!"

    My poor friend found it impossible to reply for many minutes.

    "It is nothing," he said, at last.

    "Come," I said, with decision, "we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchresi --"

    "Enough," he said; "the cough's a mere nothing; it will not kill me. I shall not die of a cough."

    "True --true," I replied; "and, indeed, I had no intention of alarming you unnecessarily --but you should use all proper caution. A draught of this Medoc will defend us from the damps.

    Here I knocked off the neck of a bottle which I drew from a long row of its fellows that lay upon the mould.

    "Drink," I said, presenting him the wine.

    He raised it to his lips with a leer. He paused and nodded to me familiarly, while his bells jingled.

    "I drink," he said, "to the buried that repose around us."

    "And I to your long life."

    He again took my arm, and we proceeded.

    "These vaults," he said, "are extensive."

    "The Montresors," I replied, "were a great and numerous family."

    "I forget your arms."

    "A huge human foot d'or, in a field azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel."

    "And the motto?"

    "Nemo me impune lacessit."

    "Good!" he said.

    The wine sparkled in his eyes and the bells jingled. My own fancy grew warm with the Medoc. We had passed through long walls of piled skeletons, with casks and puncheons intermingling, into the inmost recesses of the catacombs. I paused again, and this time I made bold to seize Fortunato by an arm above the elbow.

    "The nitre!" I said; "see, it increases. It hangs like moss upon the vaults. We are below the river's bed. The drops of moisture trickle among the bones. Come, we will go back ere it is too late. Your cough --"

    "It is nothing," he said; "let us go on. But first, another draught of the Medoc."

    I broke and reached him a flagon of De Grave. He emptied it at a breath. His eyes flashed with a fierce light. He laughed and threw the bottle upwards with a gesticulation I did not understand.

    I looked at him in surprise. He repeated the movement --a grotesque one.

    "You do not comprehend?" he said.

    "Not I," I replied.

    "Then you are not of the brotherhood."

    "How?"

    "You are not of the masons."

    "Yes, yes," I said; "yes, yes."

    "You? Impossible! A mason?"

    "A mason," I replied.

    "A sign," he said, "a sign."

    "It is this," I answered, producing from beneath the folds of my roquelaire a trowel.

    "You jest," he exclaimed, recoiling a few paces. "But let us proceed to the Amontillado."

    "Be it so," I said, replacing the tool beneath the cloak and again offering him my arm. He leaned upon it heavily. We continued our route in search of the Amontillado. We passed through a range of low arches, descended, passed on, and descending again, arrived at a deep crypt, in which the foulness of the air caused our flambeaux rather to glow than flame.

    At the most remote end of the crypt there appeared another less spacious. Its walls had been lined with human remains, piled to the vault overhead, in the fashion of the great catacombs of Paris. Three sides of this interior crypt were still ornamented in this manner. From the fourth side the bones had been thrown down, and lay promiscuously upon the earth, forming at one point a mound of some size. Within the wall thus exposed by the displacing of the bones, we perceived a still interior crypt or recess, in depth about four feet, in width three, in height six or seven. It seemed to have been constructed for no especial use within itself, but formed merely the interval between two of the colossal supports of the roof of the catacombs, and was backed by one of their circumscribing walls of solid granite.

    It was in vain that Fortunato, uplifting his dull torch, endeavoured to pry into the depth of the recess. Its termination the feeble light did not enable us to see.

    "Proceed," I said; "herein is the Amontillado. As for Luchresi --"

    "He is an ignoramus," interrupted my friend, as he stepped unsteadily forward, while I followed immediately at his heels. In an instant he had reached the extremity of the niche, and finding his progress arrested by the rock, stood stupidly bewildered. A moment more and I had fettered him to the granite. In its surface were two iron staples, distant from each other about two feet, horizontally. From one of these depended a short chain, from the other a padlock. Throwing the links about his waist, it was but the work of a few seconds to secure it. He was too much astounded to resist. Withdrawing the key I stepped back from the recess.

    "Pass your hand," I said, "over the wall; you cannot help feeling the nitre. Indeed, it is very damp. Once more let me implore you to return. No? Then I must positively leave you. But I must first render you all the little attentions in my power."

    "The Amontillado!" ejaculated my friend, not yet recovered from his astonishment.

    "True," I replied; "the Amontillado."

    As I said these words I busied myself among the pile of bones of which I have before spoken. Throwing them aside, I soon uncovered a quantity of building stone and mortar. With these materials and with the aid of my trowel, I began vigorously to wall up the entrance of the niche.

    I had scarcely laid the first tier of the masonry when I discovered that the intoxication of Fortunato had in a great measure worn off. The earliest indication I had of this was a low moaning cry from the depth of the recess. It was not the cry of a drunken man. There was then a long and obstinate silence. I laid the second tier, and the third, and the fourth; and then I heard the furious vibrations of the chain. The noise lasted for several minutes, during which, that I might hearken to it with the more satisfaction, I ceased my labours and sat down upon the bones. When at last the clanking subsided, I resumed the trowel, and finished without interruption the fifth, the sixth, and the seventh tier. The wall was now nearly upon a level with my breast. I again paused, and holding the flambeaux over the mason-work, threw a few feeble rays upon the figure within.

    A succession of loud and shrill screams, bursting suddenly from the throat of the chained form, seemed to thrust me violently back. For a brief moment I hesitated, I trembled. Unsheathing my rapier, I began to grope with it about the recess; but the thought of an instant reassured me. I placed my hand upon the solid fabric of the catacombs, and felt satisfied. I reapproached the wall; I replied to the yells of him who clamoured. I re-echoed, I aided, I surpassed them in volume and in strength. I did this, and the clamourer grew still.

    It was now midnight, and my task was drawing to a close. I had completed the eighth, the ninth and the tenth tier. I had finished a portion of the last and the eleventh; there remained but a single stone to be fitted and plastered in. I struggled with its weight; I placed it partially in its destined position. But now there came from out the niche a low laugh that erected the hairs upon my head. It was succeeded by a sad voice, which I had difficulty in recognizing as that of the noble Fortunato. The voice said--

    "Ha! ha! ha! --he! he! he! --a very good joke, indeed --an excellent jest. We will have many a rich laugh about it at the palazzo --he! he! he! --over our wine --he! he! he!"

    "The Amontillado!" I said.

    "He! he! he! --he! he! he! --yes, the Amontillado. But is it not getting late? Will not they be awaiting us at the palazzo, the Lady Fortunato and the rest? Let us be gone."

    "Yes," I said, "let us be gone."

    "For the love of God, Montresor!"

    "Yes," I said, "for the love of God!"

    But to these words I hearkened in vain for a reply. I grew impatient. I called aloud --

    "Fortunato!"

    No answer. I called again --

    "Fortunato!"

    No answer still. I thrust a torch through the remaining aperture and let it fall within. There came forth in return only a jingling of the bells. My heart grew sick; it was the dampness of the catacombs that made it so. I hastened to make an end of my labour. I forced the last stone into its position; I plastered it up. Against the new masonry I re-erected the old rampart of bones. For the half of a century no mortal has disturbed them. In pace requiescat!

    1
  • “Borges and I” by Jorge Luis Borges [Analysis]
    literature.cafe “Borges and I” by Jorge Luis Borges - literature.cafe

    The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate; I know of Borges from the mail and see his name on a list of professor...

    The narrative hinges on Borges's self-perception as a writer, underscoring the difference between the private self that cannot recognize his persona or public mask as a famous storyteller. The former insists that he has nothing to do with the task of writing, that only Borges alone imagines the stories and completes the work of setting them down on paper. His determined attempts to fight these claims are useless since he always loses to the celebrated author. Indeed, whatever he does to extricate himself from Borges becomes irrevocably tied to Borges. [Wikipedia]

    • Borges's story raises many philosophical questions of Self and epistemology. Viewed through the analytic lens of Russell's knowledge by description, the story explores the interesting concept of knowledge of Self by description (as opposed to the more expected knowledge by acquaintance). This is emphasized by the mention of receiving Borges's mail and reading about Borges in a book.

    Also, the distinction between persona and Self can be interpreted as a distinction between author and writer. The author would be analogous to the persona and Borges. The writer would be the Self and "I". Theoretically, the writer could be anyone, it just happens to be Borges. With this interpretation Borges is seen to be commenting on the cognitive differences between processing third person information and first person information.[Wikipedia]

    • It implies that the author's creations may take on a life of their own, shaping literary traditions beyond Borges' original intentions or sense of self. I willingly admit that he has written a number of sound pages, but those pages will not save me, perhaps because the good in them no longer belongs to any individual, not even to that other man, but rather to language itself.

    On a personal note: One reason this struck me was because at the point I first read this story I had come to a realisation that I had splintered my own identity. I grew up muslim in an extremist country. Here I'd be killed if I were to publicly confess I was an atheist, but I was bold enough to do so amongst friends early at college and received a death threat from an eavesdropper. Barring 10-15 people noone has ever known of my beliefs. As my identity grew beyond that point I split myself in 2. A politically correct public figure and my alternate identity.

    I named this alternate identity Faust, Faust is an anarchist, Faust loves art and literature and philosophy. Faust may exist only in my head. Faust longs to escape.

    I do not know where one identity ends and the other begins. I discover myself as I read and write and as I remain in solitude, my public self is no more than a facade which, despite being my nemesis manages to give me meaning. He's still friends with people who's beliefs I (faust) detest. My public persona is similarly vain.

    Perhaps Spinoza was wrong, for I do not wish to be me. I wish to be Faust for once. For once in my life I want to experience being myself infront of a real human. For once I don't want to watch what I say and live in fear.

    2
  • “Borges and I” by Jorge Luis Borges

    The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate; I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship; I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides, I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and mag- nifying things. Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him.

    I do not know which of us has written this page.

    2
  • [Analysis] On Exactitude In Science
    • Using Literary Forgery: This is a fictional citation, claiming that the work is a quotation from “Viajes de varones prudentes”. Borges would often ask himself, and the reader, what fiction was, in this case giving a short story the form of a fragment from a much longer history. The same technique was used in The approach to Al'Mutassim.

    • Scientific Precision: That they delivered it up to the Inclemencies of Sun and Winters. An overly-precise way of saying “they left it outside and it was ruined by the weather”. It’s possible that Borges is parodying the exactitude of scientific reportage.

    • Simulacra and Simulation: Jean Baudrillard cites the short story as the "finest allegory of simulation" in his treatise Simulacra and Simulation, describing how "an aging double ends up being confused with the real thing", covering the very thing it was meant to represent. In this way the story contributed to developing the semiotic concept of the hyperreal. (Wikipedia)

    • Map Making: Map-making has advanced rapidly alongside technology. The Mercator projection (1569) proved to be an important step forward in mapping a spherical globe onto a flat map, while satellite imagery (first used in 1946) meant that the world could be mapped from a perspective outside of itself. Satellite mapping has reached a remarkable level of progress. With, for example, Google Maps, we’ve reached a stage where it’s hard to imagine any more detail on our maps without them becoming extremely close to real life– as Borges’s map becomes. (Genius)

    • In a way, this foreshadows our own obsession with virtuality paralleling reality: increasingly we want pictures of everything, not just descriptions, so that the lines between being and representation of being become increasingly blurred. There is an argument to be made so as to link this to hyperrealiatic art. The next map would actually be a cake.

    • This story is so short that it can easily fit onto a small image with the text nice and readable. But then, is the image a point for point map of the story? Or is the story a map of the image?

    • In the Deserts of the West, still today, there are Tattered Ruins of that Map. A powerful image: the life-sized map is in pieces throughout the deserts, its reality broken into small pieces.

    Jean Baudrillard would make it even more potent, though, by flip-reversing the whole thing:

    It is nevertheless the map that precedes the territory – precession of simulacra – that engenders the territory, and if one must return to the fable, today it is the territory whose shreds slowly rot across the extent of the map.

    Simulacra and Simulation, p.4

    Baudrillard’s contention was that the Map still existed, and that was what we now called reality, even though, ontologically speaking, it is merely a copy of reality. Reality itself exists in tatters throughout the map.

    Baudrillard continues:

    It is the real, and not the map, whose vestiges persist here and there in the deserts that are no longer those of the Empire, but ours. The desert of the real itself.

    This was the inspiration for The Matrix, and its virtual-reality created by machines. (Tho the matrix a weak metaphor, it's a better metaphor for the cave in Platos works).

    • I will be adding further links to analysis of this story.
    2
  • Lewis Carroll: Sylvie and Bruno Concluded, Chapter XI

    "What a useful thing a pocket-map is!" I remarked.

    "That's another thing we've learned from your Nation," said Mein Herr, "map-making. But we've carried it much further than you. What do you consider the largest map that would be really useful?"

    "About six inches to the mile."

    "Only six inches!" exclaimed Mein Herr. "We very soon got to six yards to the mile. Then we tried a hundred yards to the mile. And then came the grandest idea of all ! We actually made a map of the country, on the scale of a mile to the mile!"

    "Have you used it much?" I enquired.

    "It has never been spread out, yet," said Mein Herr: "the farmers objected: they said it would cover the whole country, and shut out the sunlight ! So we now use the country itself, as its own map, and I assure you it does nearly as well."

    from Lewis Carroll, Sylvie and Bruno Concluded, Chapter XI, London, 1895

    1
  • On Exactitude In Science by Jorge Luis Borges

    . . . In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of the Empire whose size was that of the Empire, and which coincided point for point with it. The following Generations, who were not so fond of the Study of Cartography as their Forebears had been, saw that that vast map was Useless, and not without some Pitilessness was it, that they delivered it up to the Inclemencies of Sun and Winters. In the Deserts of the West, still today, there are Tattered Ruins of that Map, inhabited by Animals and Beggars; in all the Land there is no other Relic of the Disciplines of Geography.

    —Suarez Miranda, Viajes de varones prudentes, Libro IV, Cap. XLV, Lerida, 1658

    3
  • Yzur by Leopoldo Lugones

    A man attempts to teach a chimpanzee how to speak like a human. Related to Garner's studies on ape and monkey language.

    Worth a read

    0
  • I wanna submit a short story into some competetion or for publication. Where and how do I do this?

    Are there any competetions yall are aware of. I'm a first time writer and don't know where to go or what to do. Appreciate any advice!

    Ideally free submission and not based geographically.

    4
  • The Snows of Kilimanjaro by Ernest Hemingway
    americanliterature.com The Snows of Kilimanjaro

    The Snows of Kilimanjaro by Ernest Hemingway

    The Snows of Kilimanjaro

    Published in 1936 in Esquire, Hemingway's protagonist reflects his own questioning of morals and philosophy as a writer leaning too heavily on wealth and privilege. Considered one of the finest reflections by "the Lost Generation" who experienced both world wars and the Spanish War. Hemingway's short story inspired the movie adaptation in 1952, starring Gregory Peck, Susan Hayward, and Eva Gardner.

    THE MARVELLOUS THING IS THAT IT’S painless," he said. "That's how you know when it starts."

    "Is it really?"

    "Absolutely. I'm awfully sorry about the odor though. That must bother you."

    "Don't! Please don't."

    "Look at them," he said. "Now is it sight or is it scent that brings them like that?"

    The cot the man lay on was in the wide shade of a mimosa tree and as he looked out past the shade onto the glare of the plain there were three of the big birds squatted obscenely, while in the sky a dozen more sailed, making quick-moving shadows as they passed.

    "They've been there since the day the truck broke down," he said. "Today's the first time any have lit on the ground. I watched the way they sailed very carefully at first in case I ever wanted to use them in a story. That's funny now.""I wish you wouldn't," she said.

    "I'm only talking," he said. "It's much easier if I talk. But I don't want to bother you."

    "You know it doesn't bother me," she said. "It's that I've gotten so very nervous not being able to do anything. I think we might make it as easy as we can until the plane comes."

    "Or until the plane doesn't come."

    "Please tell me what I can do. There must be something I can do.

    "You can take the leg off and that might stop it, though I doubt it. Or you can shoot me. You're a good shot now. I taught you to shoot, didn't I?"

    "Please don't talk that way. Couldn't I read to you?"

    "Read what?"

    "Anything in the book that we haven't read."

    "I can't listen to it," he said." Talking is the easiest. We quarrel and that makes the time pass."

    "I don't quarrel. I never want to quarrel. Let's not quarrel any more. No matter how nervous we get. Maybe they will be back with another truck today. Maybe the plane will come."

    "I don't want to move," the man said. "There is no sense in moving now except to make it easier for you."

    "That's cowardly."

    "Can't you let a man die as comfortably as he can without calling him names? What's the use of clanging me?"

    "You're not going to die."

    "Don't be silly. I'm dying now. Ask those bastards." He looked over to where the huge, filthy birds sat, their naked heads sunk in the hunched feathers. A fourth planed down, to run quick-legged and then waddle slowly toward the others.

    "They are around every camp. You never notice them. You can't die if you don't give up."

    "Where did you read that? You're such a bloody fool."

    "You might think about some one else."

    "For Christ's sake," he said, "that's been my trade."

    He lay then and was quiet for a while and looked across the heat shimmer of the plain to the edge of the bush. There were a few Tommies that showed minute and white against the yellow and, far off, he saw a herd of zebra, white against the green of the bush. This was a pleasant camp under big trees against a hill, with good water, and close by, a nearly dry water hole where sand grouse flighted in the mornings.

    "Wouldn't you like me to read?" she asked. She was sitting on a canvas chair beside his cot. "There's a breeze coming up.

    "No thanks."

    "Maybe the truck will come."

    "I don't give a damn about the truck."

    "I do."

    "You give a damn about so many things that I don't."

    "Not so many, Harry."

    "What about a drink?"

    "It's supposed to be bad for you. It said in Black's to avoid all alcohol.

    You shouldn't drink."

    "Molo!" he shouted.

    "Yes Bwana."

    "Bring whiskey-soda."

    "Yes Bwana."

    "You shouldn't," she said. "That's what I mean by giving up. It says it's

    bad for you. I know it's bad for you."

    "No," he said. "It's good for me."

    So now it was all over, he thought. So now he would never have a chance

    to finish it. So this was the way it ended, in a bickering over a drink. Since

    the gangrene started in his right leg he had no pain and with the pain the

    horror had gone and all he felt now was a great tiredness and anger that this was the end of it. For this, that now was coming, he had very little curiosity.

    For years it had obsessed him; but now it meant nothing in itself. It was

    strange how easy being tired enough made it.

    Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.

    "I wish we'd never come," the woman said. She was looking at him holding the glass and biting her lip. "You never would have gotten anything like this in Paris. You always said you loved Paris. We could have stayed in Paris or gone anywhere. I'd have gone anywhere. I said I'd go anywhere you wanted. If you wanted to shoot we could have gone shooting in Hungary and been comfortable."

    "Your bloody money," he said.

    "That's not fair," she said. "It was always yours as much as mine. I left everything and I went wherever you wanted to go and I've done what you wanted to do But I wish we'd never come here."

    "You said you loved it."

    "I did when you were all right. But now I hate it. I don't see why that had to happen to your leg. What have we done to have that happen to us?"

    "I suppose what I did was to forget to put iodine on it when I first scratched it. Then I didn't pay any attention to it because I never infect. Then, later, when it got bad, it was probably using that weak carbolic solution when the other antiseptics ran out that paralyzed the minute blood vessels and started the gangrene." He looked at her, "What else'"

    "I don't mean that."

    "If we would have hired a good mechanic instead of a half-baked Kikuyu driver, he would have checked the oil and never burned out that bearing in the truck."

    "I don't mean that."

    "If you hadn't left your own people, your goddamned Old Westbury Saratoga, Palm Beach people to take me on " *'Why, I loved you. That's not fair. I love you now. I'll always love you Don't you love me?"

    "No," said the man. "I don't think so. I never have."

    "Harry, what are you saying? You're out of your head."

    "No. I haven't any head to go out of."

    "Don't drink that," she said. "Darling, please don't drink that. We have to do everything we can."

    "You do it," he said. "I'm tired."

    Now in his mind he saw a railway station at Karagatch and he was standing with his pack and that was the headlight of the Simplon-Offent cutting the dark now and he was leaving Thrace then after the retreat. That was one of the things he had saved to write, with, in the morning at breakfast, looking out the window and seeing snow on the mountains in Bulgaffa and Nansen's Secretary asking the old man if it were snow and the old man looking at it and saying, No, that's not snow. It's too early for snow. And the Secretary repeating to the other girls, No, you see. It's not snow and them all saying, It's not snow we were mistaken. But it was the snow all right and he sent them on into it when he evolved exchange of populations. And it was snow they tramped along in until they died that winter.

    It was snow too that fell all Christmas week that year up in the Gauertal, that year they lived in the woodcutter's house with the big square porcelain stove that filled half the room, and they slept on mattresses filled with beech leaves, the time the deserter came with his feet bloody in the snow. He said the police were right behind him and they gave him woolen socks and held the gendarmes talking until the tracks had drifted over.

    In Schrunz, on Christmas day, the snow was so bright it hurt your eyes when you looked out from the Weinstube and saw every one coming home from church. That was where they walked up the sleigh-smoothed urine-yellowed road along the river with the steep pine hills, skis heavy on the shoulder, and where they ran down the glacier above the Madlenerhaus, the snow as smooth to see as cake frosting and as light as powder and he remembered the noiseless rush the speed made as you dropped down like a bird.

    They were snow-bound a week in the Madlenerhaus that time in the blizzard playing cards in the smoke by the lantern light and the stakes were higher all the time as Herr Lent lost more. Finally he lost it all. Everything, the Skischule money and all the season's profit and then his capital. He could see him with his long nose, picking up the cards and then opening, "Sans Voir." There was always gambling then. When there was no snow you gambled and when there was too much you gambled. He thought of all the time in his life he had spent gambling.

    But he had never written a line of that, nor of that cold, bright Christmas day with the mountains showing across the plain that Barker had flown across the lines to bomb the Austrian officers' leave train, machine-gunning them as they scattered and ran. He remembered Barker afterwards coming into the mess and starting to tell about it. And how quiet it got and then somebody saying, ''You bloody murderous bastard.''

    Those were the same Austrians they killed then that he skied with later. No not the same. Hans, that he skied with all that year, had been in the Kaiser Jagers and when they went hunting hares together up the little valley above the saw-mill they had talked of the fighting on Pasubio and of the attack on Perticara and Asalone and he had never written a word of that. Nor of Monte Corona, nor the Sette Communi, nor of Arsiero.

    How many winters had he lived in the Vorarlberg and the Arlberg? It was four and then he remembered the man who had the fox to sell when they had walked into Bludenz, that time to buy presents, and the cherry-pit taste of good kirsch, the fast-slipping rush of running powder-snow on crust, singing ''Hi! Ho! said Rolly!' ' as you ran down the last stretch to the steep drop, taking it straight, then running the orchard in three turns and out across the ditch and onto the icy road behind the inn. Knocking your bindings loose, kicking the skis free and leaning them up against the wooden wall of the inn, the lamplight coming from the window, where inside, in the smoky, new-wine smelling warmth, they were playing the accordion.

    "Where did we stay in Paris?" he asked the woman who was sitting by him in a canvas chair, now, in Africa.

    "At the Crillon. You know that."

    "Why do I know that?"

    "That's where we always stayed."

    "No. Not always."

    "There and at the Pavillion Henri-Quatre in St. Germain. You said you loved it there."

    "Love is a dunghill," said Harry. "And I'm the cock that gets on it to crow."

    "If you have to go away," she said, "is it absolutely necessary to kill off everything you leave behind? I mean do you have to take away everything? Do you have to kill your horse, and your wife and burn your saddle and your armour?"

    "Yes," he said. "Your damned money was my armour. My Sword and my Armour."

    "Don't."

    "All right. I'll stop that. I don't want to hurt you.'

    "It's a little bit late now."

    "All right then. I'll go on hurting you. It's more amusing. The only thing I ever really liked to do with you I can't do now."

    "No, that's not true. You liked to do many things and everything you wanted to do I did."

    "Oh, for Christ sake stop bragging, will you?"

    He looked at her and saw her crying.

    "Listen," he said. "Do you think that it is fun to do this? I don't know why I'm doing it. It's trying to kill to keep yourself alive, I imagine. I was all right when we started talking. I didn't mean to start this, and now I'm crazy as a coot and being as cruel to you as I can be. Don't pay any attention, darling, to what I say. I love you, really. You know I love you. I've never loved any one else the way I love you."

    He slipped into the familiar lie he made his bread and butter by.

    "You're sweet to me."

    "You bitch," he said. "You rich bitch. That's poetry. I'm full of poetry now. Rot and poetry. Rotten poetry."

    "Stop it. Harry, why do you have to turn into a devil now?"

    "I don't like to leave anything," the man said. "I don’t like to leave things behind."

    It was evening now and he had been asleep. The sun was gone behind the hill and there was a shadow all across the plain and the small animals were feeding close to camp; quick dropping heads and switching tails, he watched them keeping well out away from the bush now. The birds no longer waited on the ground. They were all perched heavily in a tree. There were many more of them. His personal boy was sitting by the bed.

    "Memsahib's gone to shoot," the boy said. "Does Bwana want?"

    "Nothing."

    She had gone to kill a piece of meat and, knowing how he liked to watch the game, she had gone well away so she would not disturb this little pocket of the plain that he could see. She was always thoughtful, he thought. On anything she knew about, or had read, or that she had ever heard.

    It was not her fault that when he went to her he was already over. How could a woman know that you meant nothing that you said; that you spoke only from habit and to be comfortable? After he no longer meant what he said, his lies were more successful with women than when he had told them the truth.

    It was not so much that he lied as that there was no truth to tell. He had had his life and it was over and then he went on living it again with different people and more money, with the best of the same places, and some new ones.

    You kept from thinking and it was all marvellous. You were equipped with good insides so that you did not go to pieces that way, the way most of them had, and you made an attitude that you cared nothing for the work you used to do, now that you could no longer do it. But, in yourself, you said that you would write about these people; about the very rich; that you were really not of them but a spy in their country; that you would leave it and write of it and for once it would be written by some one who knew what he was writing of. But he would never do it, because each day of not writing, of comfort, of being that which he despised, dulled his ability and softened his will to work so that, finally, he did no work at all. The people he knew now were all much more comfortable when he did not work. Africa was where he had been happiest in the good time of his life, so he had come out here to start again. They had made this safari with the minimum of comfort. There was no hardship; but there was no luxury and he had thought that he could get back into training that way. That in some way he could work the fat off his soul the way a fighter went into the mountains to work and train in order to burn it out of his body.

    She had liked it. She said she loved it. She loved anything that was exciting, that involved a change of scene, where there were new people and where things were pleasant. And he had felt the illusion of returning strength of will to work. Now if this was how it ended, and he knew it was, he must not turn like some snake biting itself because its back was broken. It wasn't this woman's fault. If it had not been she it would have been another. If he lived by a lie he should try to die by it. He heard a shot beyond the hill.

    She shot very well this good, this rich bitch, this kindly caretaker and destroyer of his talent. Nonsense. He had destroyed his talent himself. Why should he blame this woman because she kept him well? He had destroyed his talent by not using it, by betrayals of himself and what he believed in, by drinking so much that he blunted the edge of his perceptions, by laziness, by sloth, and by snobbery, by pride and by prejudice, by hook and by crook. What was this? A catalogue of old books? What was his talent anyway? It was a talent all right but instead of using it, he had traded on it. It was never what he had done, but always what he could do. And he had chosen to make his living with something else instead of a pen or a pencil. It was strange, too, wasn't it, that when he fell in love with another woman, that woman should always have more money than the last one? But when he no longer was in love, when he was only lying, as to this woman, now, who had the most money of all, who had all the money there was, who had had a husband and children, who had taken lovers and been dissatisfied with them, and who loved him dearly as a writer, as a man, as a companion and as a proud possession; it was strange that when he did not love her at all and was lying, that he should be able to give her more for her money than when he had really loved.

    We must all be cut out for what we do, he thought. However you make your living is where your talent lies. He had sold vitality, in one form or another, all his life and when your affections are not too involved you give much better value for the money. He had found that out but he would never write that, now, either. No, he would not write that, although it was well worth writing.

    Now she came in sight, walking across the open toward the camp. She was wearing jodphurs and carrying her rifle. The two boys had a Tommie slung and they were coming along behind her. She was still a good-looking woman, he thought, and she had a pleasant body. She had a great talent and appreciation for the bed, she was not pretty, but he liked her face, she read enormously, liked to ride and shoot and, certainly, she drank too much. Her husband had died when she was still a comparatively young woman and for a while she had devoted herself to her two just-grown children, who did not need her and were embarrassed at having her about, to her stable of horses, to books, and to bottles. She liked to read in the evening before dinner and she drank Scotch and soda while she read. By dinner she was fairly drunk and after a bottle of wine at dinner she was usually drunk enough to sleep.

    That was before the lovers. After she had the lovers she did not drink so much because she did not have to be drunk to sleep. But the lovers bored her. She had been married to a man who had never bored her and these people bored her very much.

    Then one of her two children was killed in a plane crash and after that was over she did not want the lovers, and drink being no anaesthetic she had to make another life. Suddenly, she had been acutely frightened of being alone. But she wanted some one that she respected with her.

    It had begun very simply. She liked what he wrote and she had always envied the life he led. She thought he did exactly what he wanted to. The steps by which she had acquired him and the way in which she had finally fallen in love with him were all part of a regular progression in which she had built herself a new life and he had traded away what remained of his old life.

    He had traded it for security, for comfort too, there was no denying that, and for what else? He did not know. She would have bought him anything he wanted. He knew that. She was a damned nice woman too. He would as soon be in bed with her as any one; rather with her, because she was richer, because she was very pleasant and appreciative and because she never made scenes. And now this life that she had built again was coming to a term because he had not used iodine two weeks ago when a thorn had scratched his knee as they moved forward trying to photograph a herd of waterbuck standing, their heads up, peering while their nostrils searched the air, their ears spread wide to hear the first noise that would send them rushing into the bush. They had bolted, too, before he got the picture.

    Here she came now. He turned his head on the cot to look toward her. "Hello," he said.

    "I shot a Tommy ram," she told him. "He'll make you good broth and I'll have them mash some potatoes with the Klim. How do you feel?"

    "Much better."

    "Isn't that lovely? You know I thought perhaps you would. You were sleeping when I left."

    "I had a good sleep. Did you walk far?"

    "No. Just around behind the hill. I made quite a good shot on the Tommy."

    "You shoot marvellously, you know."

    "I love it. I've loved Africa. Really. If you're all right it's the most fun that I've ever had. You don't know the fun it's been to shoot with you. I've loved the country."

    "I love it too."

    "Darling, you don't know how marvellous it is to see you feeling better. I couldn't stand it when you felt that way. You won't talk to me like that again, will you? Promise me?"

    "No," he said. "I don't remember what I said."

    "You don't have to destroy me. Do you? I'm only a middle-aged woman who loves you and wants to do what you want to do. I've been destroyed two or three times already. You wouldn't want to destroy me again, would you?"

    "I'd like to destroy you a few times in bed," he said.

    "Yes. That's the good destruction. That's the way we're made to be destroyed. The plane will be here tomorrow."

    "How do you know?"

    "I'm sure. It's bound to come. The boys have the wood all ready and the grass to make the smudge. I went down and looked at it again today. There's plenty of room to land and we have the smudges ready at both ends."

    "What makes you think it will come tomorrow?"

    "I'm sure it will. It's overdue now. Then, in town, they will fix up your leg and then we will have some good destruction. Not that dreadful talking kind."

    "Should we have a drink? The sun is down."

    "Do you think you should?"

    "I'm having one."

    "We'll have one together. Molo, letti dui whiskey-soda!" she called.

    "You'd better put on your mosquito boots," he told her.

    "I'll wait till I bathe . . ."

    While it grew dark they drank and just before it was dark and there was no longer enough light to shoot, a hyena crossed the open on his way around the hill.

    "That bastard crosses there every night," the man said. "Every night for two weeks."

    "He's the one makes the noise at night. I don't mind it. They're a filthy animal though."

    Drinking together, with no pain now except the discomfort of lying in the one position, the boys lighting a fire, its shadow jumping on the tents, he could feel the return of acquiescence in this life of pleasant surrender. She was very good to him. He had been cruel and unjust in the afternoon. She was a fine woman, marvellous really. And just then it occurred to him that he was going to die.

    It came with a rush; not as a rush of water nor of wind; but of a sudden, evil-smelling emptiness and the odd thing was that the hyena slipped lightly along the edge of it.

    "What is it, Harry?" she asked him.

    "Nothing," he said. "You had better move over to the other side. To windward."

    "Did Molo change the dressing?"

    "Yes. I'm just using the boric now."

    "How do you feel?"

    "A little wobbly."

    "I'm going in to bathe," she said. "I'll be right out. I'll eat with you and then we'll put the cot in."

    So, he said to himself, we did well to stop the quarrelling. He had never quarrelled much with this woman, while with the women that he loved he had quarrelled so much they had finally, always, with the corrosion of the quarrelling, killed what they had together. He had loved too much, demanded too much, and he wore it all out.

    He thought about alone in Constantinople that time, having quarrelled in Paris before he had gone out. He had whored the whole time and then, when that was over, and he had failed to kill his loneliness, but only made it worse, he had written her, the first one, the one who left him, a letter telling her how he had never been able to kill it ... How when he thought he saw her outside the Regence one time it made him go all faint and sick inside, and that he would follow a woman who looked like her in some way, along the Boulevard, afraid to see it was not she, afraid to lose the feeling it gave him. How every one he had slept with had only made him miss her more. How what she had done could never matter since he knew he could not cure himself of loving her. He wrote this letter at the Club, cold sober, and mailed it to New York asking her to write him at the of fice in Paris. That seemed safe. And that night missing her so much it made him feel hollow sick inside, he wandered up past Maxim's, picked a girl up and took her out to supper. He had gone to a place to dance with her afterward, she danced badly, and left her for a hot Armenian slut, that swung her belly against him so it almost scalded. He took her away from a British gunner subaltern after a row. The gunner asked him outside and they fought in the street on the cobbles in the dark. He'd hit him twice, hard, on the side of the jaw and when he didn't go down he knew he was in for a fight. The gunner hit him in the body, then beside his eye. He swung with his left again and landed and the gunner fell on him and grabbed his coat and tore the sleeve off and he clubbed him twice behind the ear and then smashed him with his right as he pushed him away. When the gunner went down his head hit first and he ran with the girl because they heard the M.P. 's coming. They got into a taxi and drove out to Rimmily Hissa along the Bosphorus, and around, and back in the cool night and went to bed and she felt as over-ripe as she looked but smooth, rose-petal, syrupy, smooth-bellied, big-breasted and needed no pillow under her buttocks, and he left her before she was awake looking blousy enough in the first daylight and turned up at the Pera Palace with a black eye, carrying his coat because one sleeve was missing.

    That same night he left for Anatolia and he remembered, later on that trip, riding all day through fields of the poppies that they raised for opium and how strange it made you feel, finally, and all the distances seemed wrong, to where they had made the attack with the newly arrived Constantine officers, that did not know a god-damned thing, and the artillery had fired into the troops and the British observer had cried like a child.

    That was the day he'd first seen dead men wearing white ballet skirts and upturned shoes with pompons on them. The Turks had come steadily and lumpily and he had seen the skirted men running and the of ficers shooting into them and running then themselves and he and the British observer had run too until his lungs ached and his mouth was full of the taste of pennies and they stopped behind some rocks and there were the Turks coming as lumpily as ever. Later he had seen the things that he could never think of and later still he had seen much worse. So when he got back to Paris that time he could not talk about it or stand to have it mentioned. And there in the cafe as he passed was that American poet with a pile of saucers in front of him and a stupid look on his potato face talking about the Dada movement with a Roumanian who said his name was Tristan Tzara, who always wore a monocle and had a headache, and, back at the apartment with his wife that now he loved again, the quarrel all over, the madness all over, glad to be home, the office sent his mail up to the flat. So then the letter in answer to the one he'd written came in on a platter one morning and when he saw the hand writing he went cold all over and tried to slip the letter underneath another. But his wife said, ''Who is that letter from, dear?'' and that was the end of the beginning of that.

    He remembered the good times with them all, and the quarrels. They always picked the finest places to have the quarrels. And why had they always quarrelled when he was feeling best? He had never written any of that because, at first, he never wanted to hurt any one and then it seemed as though there was enough to write without it. But he had always thought that he would write it finally. There was so much to write. He had seen the world change; not just the events; although he had seen many of them and had watched the people, but he had seen the subtler change and he could remember how the people were at different times. He had been in it and he had watched it and it was his duty to write of it; but now he never would.

    "How do you feel?" she said. She had come out from the tent now after her bath.

    "All right."

    "Could you eat now?" He saw Molo behind her with the folding table and the other boy with the dishes.

    "I want to write," he said.

    "You ought to take some broth to keep your strength up."

    "I'm going to die tonight," he said. "I don't need my strength up."

    "Don't be melodramatic, Harry, please," she said.

    "Why don't you use your nose? I'm rotted half way up my thigh now. What the hell should I fool with broth for? Molo bring whiskey-soda."

    "Please take the broth," she said gently.

    "All right."

    The broth was too hot. He had to hold it in the cup until it cooled enough to take it and then he just got it down without gagging.

    "You're a fine woman," he said. "Don't pay any attention to me."

    She looked at him with her well-known, well-loved face from Spur and Town & Country, only a little the worse for drink, only a little the worse for bed, but Town & Country never showed those good breasts and those useful thighs and those lightly small-of-back-caressing hands, and as he looked and saw her well-known pleasant smile, he felt death come again.

    in.

    This time there was no rush. It was a puff, as of a wind that makes a candle flicker and the flame go tall.

    "They can bring my net out later and hang it from the tree and build the fire up. I'm not going in the tent tonight. It's not worth moving. It's a clear night. There won't be any rain."

    So this was how you died, in whispers that you did not hear. Well, there would be no more quarrelling. He could promise that. The one experience that he had never had he was not going to spoil now. He probably would. You spoiled everything. But perhaps he wouldn't.

    "You can't take dictation, can you?"

    "I never learned," she told him.

    "That's all right."

    There wasn't time, of course, although it seemed as though it telescoped so that you might put it all into one paragraph if you could get it right.

    There was a log house, chinked white with mortar, on a hill above the lake. There was a bell on a pole by the door to call the people in to meals. Behind the house were fields and behind the fields was the timber. A line of lombardy poplars ran from the house to the dock. Other poplars ran along the point. A road went up to the hills along the edge of the timber and along that road he picked blackberries. Then that log house was burned down and all the guns that had been on deer foot racks above the open fire place were burned and afterwards their barrels, with the lead melted in the magazines, and the stocks burned away, lay out on the heap of ashes that were used to make lye for the big iron soap kettles, and you asked Grandfather if you could have them to play with, and he said, no. You see they were his guns still and he never bought any others. Nor did he hunt any more. The house was rebuilt in the same place out of lumber now and painted white and from its porch you saw the poplars and the lake beyond; but there were never any more guns. The barrels of the guns that had hung on the deer feet on the wall of the log house lay out there on the heap of ashes and no one ever touched them.

    In the Black Forest, after the war, we rented a trout stream and there were two ways to walk to it. One was down the valley from Triberg and around the valley road in the shade of the trees that bordered the white road, and then up a side road that went up through the hills past many small farms, with the big Schwarzwald houses, until that road crossed the stream. That was where our fishing began.

    The other way was to climb steeply up to the edge of the woods and then go across the top of the hills through the pine woods, and then out to the edge of a meadow and down across this meadow to the bridge. There were birches along the stream and it was not big, but narrow, clear and fast, with pools where it had cut under the roots of the birches. At the Hotel in Triberg the proprietor had a fine season. It was very pleasant and we were all great friends. The next year came the inflation and the money he had made the year before was not enough to buy supplies to open the hotel and he hanged himself. You could dictate that, but you could not dictate the Place Contrescarpe where the flower sellers dyed their flowers in the street and the dye ran over the paving where the autobus started and the old men and the women, always drunk on wine and bad mare; and the children with their noses running in the cold; the smell of dirty sweat and poverty and drunkenness at the Cafe' des Amateurs and the whores at the Bal Musette they lived above. The concierge who entertained the trooper of the Garde Republicaine in her loge, his horse-hair-plumed helmet on a chair. The locataire across the hall whose husband was a bicycle racer and her joy that morning at the cremerie when she had opened L'Auto and seen where he placed third in Paris-Tours, his first big race. She had blushed and laughed and then gone upstairs crying with the yellow sporting paper in her hand. The husband of the woman who ran the Bal Musette drove a taxi and when he, Harry, had to take an early plane the husband knocked upon the door to wake him and they each drank a glass of white wine at the zinc of the bar before they started. He knew his neighbors in that quarter then because they all were poor.

    Around that Place there were two kinds; the drunkards and the sportifs. The drunkards killed their poverty that way; the sportifs took it out in exercise. They were the descendants of the Communards and it was no struggle for them to know their politics. They knew who had shot their fathers, their relatives, their brothers, and their friends when the Versailles troops came in and took the town after the Commune and executed any one they could catch with calloused hands, or who wore a cap, or carried any other sign he was a working man. And in that poverty, and in that quarter across the street from a Boucherie Chevaline and a wine cooperative he had written the start of all he was to do. There never was another part of Paris that he loved like that, the sprawling trees, the old white plastered houses painted brown below, the long green of the autobus in that round square, the purple flower dye upon the paving, the sudden drop down the hill of the rue Cardinal Lemoine to the River, and the other way the narrow crowded world of the rue Mouffetard. The street that ran up toward the Pantheon and the other that he always took with the bicycle, the only asphalted street in all that quarter, smooth under the tires, with the high narrow houses and the cheap tall hotel where Paul Verlaine had died. There were only two rooms in the apartments where they lived and he had a room on the top floor of that hotel that cost him sixty francs a month where he did his writing, and from it he could see the roofs and chimney pots and all the hills of Paris.

    From the apartment you could only see the wood and coal man's place. He sold wine too, bad wine. The golden horse's head outside the Boucherie Chevaline where the carcasses hung yellow gold and red in the open window, and the green painted co-operative where they bought their wine; good wine and cheap. The rest was plaster walls and the windows of the neighbors. The neighbors who, at night, when some one lay drunk in the street, moaning and groaning in that typical French ivresse that you were propaganded to believe did not exist, would open their windows and then the murmur of talk.

    ''Where is the policeman? When you don't want him the bugger is always there. He's sleeping with some concierge. Get the Agent. " Till some one threw a bucket of water from a window and the moaning stopped. ''What's that? Water. Ah, that's intelligent." And the windows shutting. Marie, his femme de menage, protesting against the eight-hour day saying, ''If a husband works until six he gets only a riffle drunk on the way home and does not waste too much. If he works only until five he is drunk every night and one has no money. It is the wife of the working man who suffers from this shortening of hours. '

    "Wouldn't you like some more broth?" the woman asked him now.

    "No, thank you very much. It is awfully good."

    "Try just a little."

    "I would like a whiskey-soda."

    "It's not good for you."

    "No. It's bad for me. Cole Porter wrote the words and the music. This knowledge that you're going mad for me."

    "You know I like you to drink."

    "Oh yes. Only it's bad for me."

    When she goes, he thought, I'll have all I want. Not all I want but all there is. Ayee he was tired. Too tired. He was going to sleep a little while. He lay still and death was not there. It must have gone around another street. It went in pairs, on bicycles, and moved absolutely silently on the pavements.

    No, he had never written about Paris. Not the Paris that he cared about. But what about the rest that he had never written?

    What about the ranch and the silvered gray of the sage brush, the quick, clear water in the irrigation ditches, and the heavy green of the alfalfa. The trail went up into the hills and the cattle in the summer were shy as deer. The bawling and the steady noise and slow moving mass raising a dust as you brought them down in the fall. And behind the mountains, the clear sharpness of the peak in the evening light and, riding down along the trail in the moonlight, bright across the valley. Now he remembered coming down through the timber in the dark holding the horse's tail when you could not see and all the stories that he meant to write.

    About the half-wit chore boy who was left at the ranch that time and told not to let any one get any hay, and that old bastard from the Forks who had beaten the boy when he had worked for him stopping to get some feed. The boy refusing and the old man saying he would beat him again. The boy got the rifle from the kitchen and shot him when he tried to come into the barn and when they came back to the ranch he'd been dead a week, frozen in the corral, and the dogs had eaten part of him. But what was left you packed on a sled wrapped in a blanket and roped on and you got the boy to help you haul it, and the two of you took it out over the road on skis, and sixty miles down to town to turn the boy over. He having no idea that he would be arrested. Thinking he had done his duty and that you were his friend and he would be rewarded. He'd helped to haul the old man in so everybody could know how bad the old man had been and how he'd tried to steal some feed that didn't belong to him, and when the sheriff put the handcuffs on the boy he couldn't believe it. Then he'd started to cry. That was one story he had saved to write. He knew at least twenty good stories from out there and he had never written one. Why?

    "You tell them why," he said.

    "Why what, dear?"

    "Why nothing."

    She didn't drink so much, now, since she had him. But if he lived he would never write about her, he knew that now. Nor about any of them. The rich were dull and they drank too much, or they played too much backgammon. They were dull and they were repetitious. He remembered poor Julian and his romantic awe of them and how he had started a story once that began, "The very rich are different from you and me." And how some one had said to Julian, Yes, they have more money. But that was not humorous to Julian. He thought they were a special glamourous race and when he found they weren't it wrecked him just as much as any other thing that wrecked him.

    He had been contemptuous of those who wrecked. You did not have to like it because you understood it. He could beat anything, he thought, because no thing could hurt him if he did not care.

    All right. Now he would not care for death. One thing he had always dreaded was the pain. He could stand pain as well as any man, until it went on too long, and wore him out, but here he had something that had hurt frightfully and just when he had felt it breaking him, the pain had stopped.

    He remembered long ago when Williamson, the bombing officer, had been hit by a stick bomb some one in a German patrol had thrown as he was coming in through the wire that night and, screaming, had begged every one to kill him. He was a fat man, very brave, and a good officer, although addicted to fantastic shows. But that night he was caught in the wire, with a flare lighting him up and his bowels spilled out into the wire, so when they brought him in, alive, they had to cut him loose. Shoot me, Harry. For Christ sake shoot me. They had had an argument one time about our Lord never sending you anything you could not bear and some one's theory had been that meant that at a certain time the pain passed you out automatically. But he had always remembered Williamson, that night. Nothing passed out Williamson until he gave him all his morphine tablets that he had always saved to use himself and then they did not work right away.

    Still this now, that he had, was very easy; and if it was no worse as it went on there was nothing to worry about. Except that he would rather be in better company.

    He thought a little about the company that he would like to have.

    No, he thought, when everything you do, you do too long, and do too late, you can't expect to find the people still there. The people all are gone. The party's over and you are with your hostess now.

    I'm getting as bored with dying as with everything else, he thought.

    "It's a bore," he said out loud.

    "What is, my dear?"

    "Anything you do too bloody long."

    He looked at her face between him and the fire. She was leaning back in the chair and the firelight shone on her pleasantly lined face and he could see that she was sleepy. He heard the hyena make a noise just outside the range of the fire.

    "I've been writing," he said. "But I got tired."

    "Do you think you will be able to sleep?"

    "Pretty sure. Why don't you turn in?"

    "I like to sit here with you."

    "Do you feel anything strange?" he asked her.

    "No. Just a little sleepy."

    "I do," he said.

    He had just felt death come by again.

    "You know the only thing I've never lost is curiosity," he said to her.

    "You've never lost anything. You're the most complete man I've ever known."

    "Christ," he said. "How little a woman knows. What is that? Your intuition?"

    Because, just then, death had come and rested its head on the foot of the cot and he could smell its breath.

    "Never believe any of that about a scythe and a skull," he told her. "It can be two bicycle policemen as easily, or be a bird. Or it can have a wide snout like a hyena."

    It had moved up on him now, but it had no shape any more. It simply occupied space.

    "Tell it to go away."

    It did not go away but moved a little closer.

    "You've got a hell of a breath," he told it. "You stinking bastard."

    It moved up closer to him still and now he could not speak to it, and when it saw he could not speak it came a little closer, and now he tried to send it away without speaking, but it moved in on him so its weight was all upon his chest, and while it crouched there and he could not move or speak, he heard the woman say, "Bwana is asleep now. Take the cot up very gently and carry it into the tent."

    He could not speak to tell her to make it go away and it crouched now, heavier, so he could not breathe. And then, while they lifted the cot, suddenly it was all right and the weight went from his chest.

    It was morning and had been morning for some time and he heard the plane. It showed very tiny and then made a wide circle and the boys ran out and lit the fires, using kerosene, and piled on grass so there were two big smudges at each end of the level place and the morning breeze blew them toward the camp and the plane circled twice more, low this time, and then glided down and levelled off and landed smoothly and, coming walking toward him, was old Compton in slacks, a tweed jacket and a brown felt hat.

    "What's the matter, old cock?" Compton said.

    "Bad leg," he told him. "Will you have some breakfast?"

    "Thanks. I'll just have some tea. It's the Puss Moth you know. I won't be able to take the Memsahib. There's only room for one. Your lorry is on the way."

    Helen had taken Compton aside and was speaking to him. Compton came back more cheery than ever.

    "We'll get you right in," he said. "I'll be back for the Mem. Now I'm afraid I'll have to stop at Arusha to refuel. We'd better get going."

    "What about the tea?"

    "I don't really care about it, you know."

    The boys had picked up the cot and carried it around the green tents and down along the rock and out onto the plain and along past the smudges that were burning brightly now, the grass all consumed, and the wind fanning the fire, to the little plane. It was difficult getting him in, but once in he lay back in the leather seat, and the leg was stuck straight out to one side of the seat where Compton sat. Compton started the motor and got in. He waved to Helen and to the boys and, as the clatter moved into the old familiar roar, they swung around with Compie watching for warthog holes and roared, bumping, along the stretch between the fires and with the last bump rose and he saw them all standing below, waving, and the camp beside the hill, flattening now, and the plain spreading, clumps of trees, and the bush flattening, while the game trails ran now smoothly to the dry waterholes, and there was a new water that he had never known of. The zebra, small rounded backs now, and the wildebeeste, big-headed dots seeming to climb as they moved in long fingers across the plain, now scattering as the shadow came toward them, they were tiny now, and the movement had no gallop, and the plain as far as you could see, gray-yellow now and ahead old Compie's tweed back and the brown felt hat. Then they were over the first hills and the wildebeeste were trailing up them, and then they were over mountains with sudden depths of green-rising forest and the solid bamboo slopes, and then the heavy forest again, sculptured into peaks and hollows until they crossed, and hills sloped down and then another plain, hot now, and purple brown, bumpy with heat and Compie looking back to see how he was riding. Then there were other mountains dark ahead.

    And then instead of going on to Arusha they turned left, he evidently figured that they had the gas, and looking down he saw a pink sifting cloud, moving over the ground, and in the air, like the first snow in at ii blizzard, that comes from nowhere, and he knew the locusts were coming, up from the South. Then they began to climb and they were going to the East it seemed, and then it darkened and they were in a storm, the rain so thick it seemed like flying through a waterfall, and then they were out and Compie turned his head and grinned and pointed and there, ahead, all he could see, as wide as all the world, great, high, and unbelievably white in the sun, was the square top of Kilimanjaro. And then he knew that there was where he was going.

    Just then the hyena stopped whimpering in the night and started to make a strange, human, almost crying sound. The woman heard it and, stirred uneasily. She did not wake. In her dream she was at the house on Long Island and it was the night before her daughter's debut. Somehow her father was there and he had been very rude. Then the noise the hyena made was so loud she woke and for a moment she did not know where she was and she was very afraid. Then she took the flashlight and shone it on the other cot that they had carried in after Harry had gone to sleep. She could see his bulk under the mosquito bar but somehow he had gotten his leg out and it hung down alongside the cot. The dressings had all come down and she could not look at it.

    "Molo," she called, "Molo! Molo!"

    Then she said, "Harry, Harry!" Then her voice rising, "Harry! Please. Oh Harry!"

    There was no answer and she could not hear him breathing.

    Outside the tent the hyena made the same strange noise that had awakened her. But she did not hear him for the beating of her heart.

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  • “Chance the Cat,” by David Means
    www.newyorker.com “Chance the Cat,” by David Means

    What matters is that a few weeks later the two of them found him on the corner of Fifty-third and Woodlawn, a street cat with matted black fur and a smear of white.

    “Chance the Cat,” by David Means

    I heard lemmy likes cats

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  • The Star by H.G.Wells [Sci-Fi]

    Above were the lava, hot gases and ash, and below the seething floods and the whole earth swayed and rumbled with the earthquake.

    Here is an impressive story based on the inter-action of planetary bodies and of the sun upon them. A great star is seen approaching the earth. At first it is only an object of interest to the general public, but there is an astronomer on the earth, who is watching each phase and making mathematical calculations, for he knows the intimate relation of gravitation between bodies and the effect on rotating bodies of the same force from an outside source. He fears all sorts of wreckage on our earth. He warns the people, but they, as usual, discount all he says and label him mad. But he was not mad. H. G. Wells, in his own way, gives us a picturesque description of the approach of the new body through long days and nights—he tells how the earth and natural phenomena of the earth will react. Though this star never touches our sphere, the devastation and destruction wrought by it are complete and horrible. The story is correct in its astronomical aspects.

    THE STAR By H. G. Wells

    It was on the first day of the new year that the announcement was made, almost simultaneously from three observatories, that the motion of the planet Neptune, the outermost of all the planets that wheeled about the sun, had become erratic. Ogilvy had already called attention to a suspected retardation in its velocity in December. Such a piece of news was scarcely calculated to interest the world the greater portion of whose inhabitants were unaware of the existence of the planet Neptune, nor outside the astronomical profession did the subsequent discovery of a faint remote speck of light in the region of the perturbed planet cause any great excitement.

    Scientific people, however, found the intelligence remarkable enough, even before it became known that the new body was rapidly growing larger and brighter, that its motion was quite different from the orderly progress of the planets, and that the deflection of Neptune and its satellite was becoming now of an unprecedented kind.

    Few people without training in science can realize the huge isolation of the solar system. The sun with its specks of planets, its dust of planetoids, and its impalpable comets swims in vacant immensity that almost defeats the imagination. Beyond the orbit of Neptune there is space, vacant so far as human observation has penetrated, without warmth or light or sound, blank emptiness, for twenty billion times a million miles. That is the smallest estimate of the distance to be traversed before the nearest of the stars is attained. And, saving a few comets, more unsubstantial than the thinnest flame, no matter had ever to human knowledge crossed the gulf of space, until early in the twentieth century this wanderer appeared.

    A vast mass of matter it was, bulky, heavy, rushing without warning out of the black mystery of the sky into the radiance of the sun. By the second day it was clearly visible to any decent instrument, as a speck with a barely sensible diameter, in the constellation Leo near Regulus. In a little while an opera glass could attain it.

    On the third day of the new year the newspaper readers of two hemispheres were made aware for the first time of the real importance of this unusual apparition in the heavens. “A Planetary Collision,” one London paper headed the news, and proclaimed Duchine’s opinion that this strange new planet would probably collide with Neptune. The leader writers enlarged upon the topic. So that in most of the capitals of the world, on Jan. 3, there was an expectation, however vague, of some eminent phenomenon in the sky; and as the night followed the sunset round the globe thousands of men turned their eyes skyward to see—the old familiar stars just as they had always been.

    Until it was dawn in London and Pollux setting, and the stars overhead grown pale. The winter’s dawn it was, a sickly filtering accumulation of daylight, and the light of gas and candles shone yellow in the windows to show where people were astir. But the yawning policeman saw the thing, the busy crowds in the market stopped agape, workmen going to their work betimes, milkmen, the drivers of news carts, dissipation going home jaded and pale, homeless wanderers, sentinels on their beats, and in the country, laborers trudging afield, poachers slinking home, all over the dusky quickening country it would be seen—and out at sea by seamen watching for the day—a great white star, come suddenly into the westward sky!

    Brighter it was than any star in our skies; brighter than the evening star at its brightest. It still glowed out white and large, no mere twinkling spot of light but a small round clear shining disk, an hour after the day had come. And where science has not reached, men stared and feared, telling one another of the wars and pestilences that are foreshadowed by these fiery signs in the heavens. Sturdy Boers, dusky Hottentots, Gold Coast negroes, Frenchmen, Spaniards, Portuguese, stood in the glow of the sunrise watching the setting of this strange new star.

    And in a hundred observatories there had been suppressed excitement, rising almost to shouting pitch, as the two remote bodies had rushed together. There had been a hurrying to and fro to gather photographic apparatus and spectroscope; to gather this appliance and that, to record the novel astonishing sight, the destruction of a world,—for it was a world, a sister planet of our earth, far greater than our earth indeed, that had so suddenly flashed into flaming death. Neptune it was, which had been struck, fairly, and squarely, by the planet from outer space and the heat of concussion had incontinently turned two solid globes into one vast mass of incandescence.

    Round the world that day, two hours before the dawn, went the pallid great white star, fading only as it sank westward and the sun mounted above it. Everywhere man marveled at it, but of all those who saw it none could have marveled more than those sailors, habitual watchers of the stars, who far away at sea had heard nothing of its advent and saw it now rise like a pigmy moon and climb zenithward and hang overhead and sink westward with the passing of the night.

    And when next it rose over Europe everywhere were crowds of watchers on hilly slopes, on house roofs, in open spaces, staring eastward, waiting for the rising of the new star. It rose with a white glow in front, like the glare of a white fire, and those who had seen it come into existence the night before cried out at the sight of it. “It is larger,” they cried. “It is brighter!” And, indeed, the moon a quarter full and sinking in the west was in its apparent size beyond comparison, but scarcely in all its breadth had it as much brightness now as the little circle of the strange new star.

    “It is brighter!” cried the people clustering in the streets. But in the dim observatories the watchers held their breath and peered at one another. “It is nearer,” they said. “Nearer!”

    And voice after voice repeated. “It is nearer,” and the clicking telegraph took that up, and it trembled along telephone wires, and in a thousand cities grimy compositors fingered the type. “It is nearer.” Men writing in offices, struck with strange realization, flung down their pens, men talking in a thousand places suddenly came upon a grotesque possibility in those words, “It is nearer.” It hurried along awakening streets, it was shouted down the frost-stilled ways of quiet villages, men who had read these things, from the throbbing tape stood in yellow-lit doorways shouting the news to the passers-by. “It is nearer.” Pretty women flushed and glittering, heard the news told jestingly between dances, and feigned an intelligent interest they did not feel. “Nearer! Indeed. How curious! How clever people must be to find out things like that!”

    Lonely tramps faring through the wintry night murmured those words to comfort themselves—looking skyward. “It has need to be nearer, for the night’s as cold as charity. Don’t seem much warmth from it if it is nearer, all the same.”

    “What is a new star to me?” cried the weeping woman kneeling beside her dead.

    The schoolboy, rising early for his examination work, puzzled it out for himself—with the great white star shining broad and bright through the frost-flowers of his window. “Centrifugal, centripetal,” he said, with his chin on his fist. “Stop a planet in its flight, rob it of its centrifugal force, what then? Centripetal has it, and down it falls into the sun! And this——!”

    “Do we come in the way? I wonder——”

    The light of that day went the way of its brethren, and with the later watches of the frosty darkness rose the strange star again, And it was now so bright that the waxing moon seemed but a pale yellow ghost of itself, rising huge in the sunset hour. In a South African city a great man had married, and the streets were alight to welcome his return with his bride. “Even the skies have illuminated,” said the flatterer. Under Capricorn, two negro lovers, daring the wild beasts and evil spirits, for love of one another, crouched together in a cane brake where the fireflies hovered. “That is our star,” they whispered, and felt strangely comforted by the sweet brilliancy of its light.

    The master mathematician sat in his private room and pushed the papers from him. His calculations were already finished. In a small white phial there still remained a little of the drug that had kept him awake and active for four long nights. Each day, serene, explicit, patient as ever, he had given his lecture to his students, and then had come back at once to his momentous calculation. His face was grave, a little drawn, and hectic from his drugged activity. For some time he seemed lost in thought. Then he went to the window, and the blind went up with a click. Half way up the sky, over the clustering roofs, chimneys, and steeples of the city, hung the star.

    He looked at it as one might look into the eye of a brave enemy. “You may kill me,” he said after a silence, “But I can hold you—and all the universe for that matter—in the grip of this little brain. I would not change even now.”

    He looked at the little phial. “There will be no need of sleep again,” he said. The next day at noon, punctual to the minute, he entered his lecture theater, put his hat on the end of the table as his habit was, and carefully selected a large piece of chalk. It was a joke among his students that he could not lecture without that piece of chalk to fumble in his fingers, and once he had been stricken to impotence by their hiding his supply. He came and looked under his gray eyebrows at the rising tiers of young fresh faces, and spoke with his accustomed studied commonness of phrasing, “Circumstances have arisen—circumstances beyond my control,” he said and paused, “which will debar me from completing the course I had designed. It would seem, gentlemen, if I may put the thing clearly and briefly, that—man has lived in vain.”

    The students glanced at one another. Had they heard aright? Mad? Raised eyebrows and grinning lips there were, but one or two faces remained intent upon his calm gray-fringed face. “It will be interesting,” he was saying, “to devote this morning to an exposition, so far as I can make it clear to you, of the calculations that have led me to this conclusion. Let us assume——”

    He turned toward the blackboard, meditating a diagram in the way that was usual to him. “What was that about ‘lived in vain’?” whispered one student to another. “Listen,” said the other, nodding toward the lecturer.

    And presently they began to understand.

    That night the star rose later, for its proper eastward motion had carried it some way across Leo toward Virgo, and its brightness was so great that the sky became a luminous blue as it rose, and every star and planet was hidden, save only Jupiter near the zenith, Capella, Aldebaran, Sirius, and the pointers of the Bear. It was white and beautiful. In many parts of the world that night a pallid halo encircled it about. It was perceptibly larger; in the clear refractive sky of the tropics it seemed as if it were nearly a quarter of the size of the moon. The frost was still on the ground in England, but the world was as brightly lit as if it were midsummer moonlight. One could see to read quite ordinary print by that cold clear light, and in the cities the lamps burnt yellow and wan.

    And everywhere the world was awake that night, and throughout Christendom a somber murmur hung in the keen air over the countryside like the buzzing of the bees in the heather, and this murmurous tumult grew to a clangor in the cities. It was the tolling of the bells in a million belfry towers and steeples, summoning the people to sleep no more, to sin no more, but to gather in their churches and pray. And overhead, growing larger and brighter, as the earth rolled on its way and the night passed, rose the dazzling star.

    And the streets and houses were alight in all the cities, the shipyards glared, and whatever roads led to high country were lit and crowded all night long. And in all the seas about the civilized lands ships with throbbing engines, and ships with bellying sails, crowded with men and living creatures, were standing out to ocean and the north. For already the warning of the master mathematician had been telegraphed over the world, and translated into a hundred tongues. The new planet and Neptune, locked in a fiery embrace, were whirling headlong, ever faster and faster, toward the sun. Already every second this blazing mass flew a hundred miles, and every second its terrific velocity increased. As it flew its course, it must pass a hundred million of miles wide of the earth and scarcely affect it.

    But near its destined path, as yet only slightly perturbed, spun the mighty planet Jupiter and his moons sweeping splendid around the sun. Every moment now the attraction between the fiery star and the greatest of the planets grew stronger. And the result of that attraction? Inevitably Jupiter, would be deflected from its orbit to a new elliptical path, and the burning star, swung by his attraction wide of its sunward rush, would “describe a curved path” and perhaps collide with and certainly pass close to, our earth. “Earthquakes, volcanic outbreaks, cyclones, sea waves, floods, and a steady rise in temperature to I know not what limit”—so prophesied the master mathematician.

    And overhead, to carry out his words, lonely and cold and livid, blazed the star of the coming doom.

    To many who stared at it that night until their eyes ached, it seemed that it was visibly approaching. And that night, too, the weather changed, and the frost that had gripped all Central Europe and France and England softened towards a thaw.

    But you must not imagine because I have spoken of people praying through the night and people going aboard ships and people fleeing towards mountainous country that the whole world was already in a terror because of the star. As a matter of fact, use and wont still ruled the world, and save for the talk of idle moments and the splendor of the night, nine human beings out of ten were still busy at their common occupations. In all the cities the shops, save one here and there, opened and closed at their proper hours, the doctor and the undertaker plied their trades, and workers gathered in the factories, soldiers drilled, scholars studied, lovers sought one another, thieves lurked and fled, politicians planned their schemes. The presses of the newspapers roared through the nights, and many a priest of this church and that would not open his holy building to further what he considered a foolish panic.

    The newspapers insisted on the lesson of the year 1000—for then, too, people had anticipated the end. The star was no star—mere gas—a comet; and were it a star it could not possibly strike the earth. There was no precedent for such a thing. Common sense was sturdy everywhere, scornful, jesting, a little inclined to persecute the obdurate fearful. That night at 7:15 by Greenwich time the star would be at its nearest to Jupiter. Then the world would see the turn things would take. The master mathematician’s grim warnings were treated by many as so much mere elaborate self-advertisement. Common sense at last, a little heated by argument, signified its unalterable convictions by going to bed. So, too, barbarism and savagery, already tired of the novelty, went about their nightly business: and save for a howling dog here and there the beast-world left the star unheeded.

    And yet, when at last the watchers in the European states saw their star rise, an hour later, it is true, but no larger than it had been the night before, there were still plenty awake to laugh at the master mathematician—to take the danger as if it had passed.

    But hereafter the laughter ceased. The star grew—it grew with a terrible steadiness hour after hour, a little larger each hour, a little nearer the midnight zenith, and brighter and brighter, until it had turned night into day. Had it come straight to the earth instead of in a curved path, had it lost no velocity to Jupiter, it must have leapt the intervening gulf in a day; but as it was it took five days altogether to come by our planet. The next night it had become a third the size of the moon before it set to English eyes, and the thaw was assured.

    It rose over America nearly the size of the moon, but blinding white to look at, and hot; and a breath of hot wind blew now with its rising and gathering strength, and in Virginia and Brazil and down the St. Lawrence valley it shone intermittently through a driving reek of thunder clouds, flickering violet lightning, and hail unprecedented. In Manitoba were a thaw and devastating floods. And upon the mountains of the earth the snow and ice began to melt that night, and all the rivers coming out of high country flowed thick and turbid, and soon—in their upper reaches— with swirling trees and the bodies of beasts and men. They rose steadily, steadily in the ghostly brilliance, and came trickling over their banks at last, behind the flying population of their valleys.

    And along the coast of Argentina and up the South Atlantic tides were higher than they had ever been in the memory of man, and the storms drove the waters in many cases scores of miles inland, drowning whole cities. And so great grew the heat during the night that the rising of the sun was like the coming of a shadow. The earthquakes began and grew until all down America from the Arctic Circle to Cape Horn hillsides were sliding, fissures were opening, and houses and walls crumbling to destruction.

    China was lit glowing white, but over Japan and Java and all the islands of eastern Asia the great star was a ball of dull red fire because of the steam and smoke and ashes the volcanoes were spouting forth to salute its coming. Above were the lava, hot gases, and ash, and below the seething floods, and the whole earth swayed and rumbled with the earthquake shocks. Soon the immemorial snows of Tibet and the Himalayas were melting and pouring down by ten million deepening converging channels upon the plains of Burma and Hindustan. The tangled summits of the Indian jungles were aflame in a thousand places, and below the hurrying waters around the stems were dark objects that struggled feebly and reflected the blood red tongues of fire. And in a ungovernable confusion a multitude of men and women fled down the broad riverways to that one last hope of men—the open sea.

    Larger grew the star, and larger, hotter, and brighter with a terrible swiftness now. The tropical ocean had lost its phosphorescence, and the whirling steam rose in ghostly wreaths from the black waves that plunged incessantly, speckled with storm-tossed ships.

    And then came a wonder. It seemed to those who in Europe watched for the rising of the star that the world must have ceased its rotation. In a thousand open spaces of down and upland the people who had fled thither from the floods and the falling houses and sliding slopes of hill watched for that rising in vain. Hour followed hour through a terrible suspense, and the star rose not. Once again men set their eyes upon the old constellations they had counted lost to them forever. In England it was hot and clear overhead, though the ground quivered perpetually; but in the tropics Sirius and Capella and Aldebaran showed through a veil of steam. And when at last the great star rose, near ten hours late, the sun rose close upon it, and in the center of its white heart was a disk of black.

    Over Asia the star had begun to fall behind the movement of the sky, and then suddenly, as it hung over India, its light had been veiled. All the plain of India from the mouth of the Indus to the mouths of the Ganges was a shallow waste of shining water that night, out of which rose temples and palaces, mounds and hills, black with people. Every minaret was a clustering mass of people, who fell one by one into the turbid waters as heat and terror overcame them. The whole land seemed a-wailing, and suddenly there swept a shadow across that furnace of despair, and a breath of cold wind, and a gathering of clouds out of the cooling air. Men looking up, nearly blinded, at the star, and saw that black disk creeping across the light. It was the moon, coming between the star and the earth. And even as men cried to God at this respite, out of the east with a strange, inexplicable swiftness sprang the sun. And then star, sun, and moon rushed together across the heavens.

    So it was that presently, to the European watchers, star and sun rose close upon each other, drove headlong for a space, and then slower, and at last came to rest, star and sun merged into one glare of flame at the zenith of the sky. The moon no longer eclipsed the star, but was lost to sight in the brilliance of the sky. And though those who were still alive regarded it for the most part with that dull stupidity that hunger, fatigue, heat, and despair engender, there were still men who could perceive the meaning of these signs. Star and earth had been at their nearest, had swung about one another, and the star had passed. Already it was receding, swifter and swifter, in the last stage of its headlong journey downward into the sun.

    And then the clouds gathered, blotting out the vision of the sky; the thunder and lightning wove a garment around the world; all over the earth was such a downpour of rain as men had never seen before; and where the volcanoes flared red against the cloud canopy there descended torrents of mud. Everywhere the waters were pouring off the land, leaving mud stilted ruins, and the earth littered like a storm-worn beach with all that had floated, and the dead bodies of the men and brutes, its children.

    For days the water streamed off the land, sweeping away soil and trees and houses in the way and piling huge dikes and scooping out titanic gullies over the countryside. Those were the days of darkness that followed the star and the heat. All through them, and for many weeks and months, the earthquakes continued.

    But the star had passed, and men, hunger-driven and gathering courage only slowly, might creep back to their ruined cities, buried granaries, and sodden fields. Such few ships as had escaped the storms of that time came stunned and shattered and sounding their way cautiously through the new marks and shoals of once familiar ports. And as the storms subsided men perceived that everywhere the days were hotter than of yore, and the sun larger, and the moon, shrunk to a third of its size, took now fourscore days between its new and new.

    But of the new brotherhood that grew presently among men, of the saving of laws and machines, of the strange change that had Iceland and Greenland the shores of Baffin’s Bay, so that the sailors coming there presently found them green and gracious, and could scarce believe their eyes, this story does not tell. Nor of the movement of mankind, now that the earth was hotter, northward and southward towards the poles of the earth. It concerns itself only with the coming and the passing of the star.

    The Martian astronomers—for there are astronomers on Mars, although they are different beings from men—were naturally profoundly interested by these things. They saw them from their own standpoint, of course. “Considering the mass and temperature of the missile that was flung through our solar system into the sun,” one wrote, “it is astonishing what little damage the earth, which it missed so narrowly, has sustained. All the familiar continental markings and the masses of the seas remain intact, and indeed the only difference seems to be a shrinkage of the white discoloration (supposed to be frozen water) round either pole.” Which only shows how small the vastest of human catastrophies may seem at a distance of a few million miles..

    0
  • Confessions of a Shinagawa Monkey by Haruki Murakami
    www.newyorker.com “Confessions of a Shinagawa Monkey”

    Fiction by Haruki Murakami: “Sharing a beer and chatting with a monkey was a pretty unusual experience in and of itself.”

    “Confessions of a Shinagawa Monkey”

    This is one of my favorite short stories ever. I love the feeling of this story even if isn't perfectly analyzable.

    1
  • The Beach House by Joy Williams
    www.newyorker.com “The Beach House,” by Joy Willams

    Her father said that he loved her—he just wasn’t going to leave her the beach house, which to him had become not the beach house at all but, in truth, something else entirely.

    “The Beach House,” by Joy Willams

    That was surprisingly good!

    0
  • The Sisters [James Joyce] [Modernist, Avant Garde]

    Three nights in succession I had found myself in Great Britain-street at that hour, as if by Providence. Three nights also I had raised my eyes to that lighted square of window and speculated. I seemed to understand that it would occur at night. But in spite of the Providence that had led my feet, and in spite of the reverent curiosity of my eyes, I had discovered nothing. Each night the square was lighted in the same way, faintly and evenly. It was not the light of candles, so far as I could see. Therefore, it had not yet occurred.

    On the fourth night at that hour I was in another part of the city. It may have been the same Providence that led me there—a whimsical kind of Providence to take me at a disadvantage. As I went home I wondered was that square of window lighted as before, or did it reveal the ceremonious candles in whose light the Christian must take his last sleep. I was not surprised, then, when at supper I found myself a prophet. Old Cotter and my uncle were talking at the fire, smoking. Old Cotter is the old distiller who owns the batch of prize setters. He used to be very interesting when I knew him first, talking about "faints" and "worms." Now I find him tedious.

    While I was eating my stirabout I heard him saying to my uncle:

    "Without a doubt. Upper storey—(he tapped an unnecessary hand at his forehead)—gone."

    "So they said. I never could see much of it. I thought he was sane enough."

    "So he was, at times," said old Cotter.

    I sniffed the "was" apprehensively, and gulped down some stirabout.

    "Is he better, Uncle John?"

    "He's Dead."

    "O … he's dead?"

    "Died a few hours ago."

    "Who told you?"

    "Mr. Cotter here brought us the news. He was passing there."

    "Yes, I just happened to be passing, and I noticed the window … you know."

    "Do you think they will bring him to the chapel?" asked my aunt.

    "Oh, no, ma'am. I wouldn't say so."

    "Very unlikely," my uncle agreed.

    So old Cotter had got the better of me for all my vigilance of three nights. It is often annoying the way people will blunder on what you have elaborately planned for. I was sure he would die a night.

    The following morning after breakfast I went down to look at the little house in Great Britain-street. It was an unassuming shop registered under the vague name of "Drapery." The drapery was principally children's boots and umbrellas, and on ordinary days there used to be a notice hanging in the window, which said "Umbrellas recovered." There was no notice visible now, for the shop blinds were drawn down and a crape bouquet was tied to the knocker with white ribbons. Three women of the people and a telegram boy were reading the card pinned on the crape. I also went over and read:—"July 2nd, 189– The Rev. James Flynn (formerly of St. Ita's Church), aged 65 years. R.I.P."

    Only sixty-five! He looked much older than that. I often saw him sitting at the fire in the close dark room behind the shop, nearly smothered in his great coat. He seemed to have almost stupefied himself with heat, and the gesture of his large trembling hand to his nostrils had grown automatic. My aunt, who is what they call good-hearted, never went into the shop without bringing him some High Toast, and he used to take the packet of snuff from her hands, gravely inclining his head for sign of thanks. He used to sit in that stuffy room for the greater part of the day from early morning, while Nannie (who is almost stone deaf) read out the newspaper to him. His other sister, Eliza, used to mind the shop. These two old women used to look after him, feed him, and clothe him. The clothing was not difficult, for his ancient, priestly clothes were quite green with age, and his dogskin slippers were everlasting. When he was tired of hearing the news he used to rattle his snuff-box on the arm of his chair to avoid shouting at her, and then he used to make believe to read his Prayer Book. Make believe, because, when Eliza brought him a cup of soup from the kitchen, she had always to waken him.

    As I stood looking up at the crape and the card that bore his name I could not realise that he was dead. He seemed like one who could go on living for ever if he only wanted to; his life was so methodical and uneventful. I think he said more to me than to anyone else. He had an egoistic contempt for all women-folk, and suffered all their services to him in polite silence. Of course, neither of his sisters were very intelligent. Nannie, for instance, had been reading out the newspaper to him every day for years, and could read tolerably well, and yet she always spoke of it as the Freeman's General. Perhaps he found me more intelligent, and honoured me with words for that reason. Nothing, practically nothing, ever occurred to remind him of his former life (I mean friends or visitors), and still he could remember every detail of it in his own fashion. He had studied at the college in Rome, and he taught me to speak Latin in the Italian way. He often put me through the responses of the Mass, he smiling often and pushing huge pinches of snuff up each nostril alternately. When he smiled he used to uncover his big, discolored teeth, and let his tongue lie on his lower lip. At first this habit of his used to make me feel uneasy. Then I grew used to it.

    That evening my aunt visited the house of mourning and took me with her. It was an oppressive summer evening of faded gold. Nannie received us in the hall, and, as it was no use saying anything to her, my aunt shook hands with her for all. We followed the old woman upstairs and into the dead-room. The room, through the lace end of the blind, was suffused with dusky golden light, amid which the candles looked like pale, thin flames. He had been coffined. Nannie gave the lead, and we three knelt down at the foot of the bed. There was no sound in the room for some minutes except the sound of Nannie's mutterings—for she prays noisily. The fancy came to me that the old priest was smiling as he lay there in his coffin.

    But, no. When we rose and went up to the head of the bed I saw that he was not smiling. There he lay solemn and copious in his brown habit, his large hands loosely retaining his rosary. His face was very grey and massive, with distended nostrils and circled with scanty white fur. There was a heavy odour in the room—the flowers.

    We sat downstairs in the little room behind the shop, my aunt and I and the two sisters. Nannie sat in a corner and said nothing, but her lips moved from speaker to speaker with a painfully intelligent motion. I said nothing either, being too young, but my aunt spoke a good deal, for she is a bit of a gossip—harmless.

    "Ah, well! he's gone!"

    "To enjoy his eternal reward, Miss Flynn, I'm sure. He was a good and holy man."

    "He was a good man, but, you see … he was a disappointed man…. You see, his life was, you might say, crossed."

    "Ah, yes! I know what you mean."

    "Not that he was anyway mad, as you know yourself, but he was always a little queer. Even when we were all growing up together he was queer. One time he didn't speak hardly for a month. You know, he was that kind always.["]

    "Perhaps he read too much, Miss Flynn?"

    "O, he read a good deal, but not latterly. But it was his scrupulousness, I think, affected his mind. The duties of the priesthood were too much for him."

    "Did he … peacefully?"

    "O, quite peacefully, ma'am. You couldn't tell when the breath went out of him. He had a beautiful death, God be praised."

    "And everything…?"

    "Father O'Rourke was in with him yesterday and gave him the Last Sacrament."

    "He knew then?"

    "Yes; he was quite resigned."

    Nannie gave a sleepy nod and looked ashamed.

    "Poor Nannie," said her sister, "she's worn out. All the work we had, getting in a woman, and laying him out; and then the coffin and arranging about the funeral. God knows we did all we could, as poor as we are. We wouldn't see him want anything at the last."

    "Indeed you were both very kind to him while he lived."

    "Ah, poor James; he was no great trouble to us. You wouldn't hear him in the house no more than now. Still I know he's gone and all that…. I won't be bringing him in his soup any more, nor Nannie reading him the paper, nor you, ma'am, bringing him his snuff. How he liked that snuff! Poor James!"

    "O, yes, you'll miss him in a day or two more than you do now."

    Silence invaded the room until memory reawakened it, Eliza speaking slowly—

    "It was that chalice he broke…. Of course, it was all right. I mean it contained nothing. But still … They say it was the boy's fault. But poor James was so nervous, God be merciful to him."

    "Yes, Miss Flynn, I heard that … about the chalice … He … his mind was a bit affected by that."

    "He began to mope by himself, talking to no one, and wandering about. Often he couldn't be found. One night he was wanted, and they looked high up and low down and couldn't find him. Then the clerk suggested the chapel. So they opened the chapel (it was late at night), and brought in a light to look for him… And there, sure enough, he was, sitting in his confession-box in the dark, wide awake, and laughing like softly to himself. Then they knew something was wrong."

    "God rest his soul!"

    6
  • The Library of Babel [Borges]

    [Fantasy] One of the most important short stories ever imo. The best of borges, using fiction to philosophically analyse the ideas of infinity and reality.

    Strongly recommend giving this a go. Or read it if you don't like the audio version.

    4
  • Luck by Mark Twain

    [Note: This is not a fancy sketch. I got it from a clergyman who was an instructor at Woolwich forty years ago, and who vouched for its truth. --M.T.]

    It was at a banquet in London in honor of one of the two or three conspicuously illustrious English military names of this generation. For reasons which will presently appear, I will withhold his real name and titles, and call him Lieutenant General Lord Arthur Scoresby, V.C., K.C.B., etc., etc., etc. What a fascination there is in a renowned name! There sat the man, in actual flesh, whom I had heard of so many thousands of times since that day, thirty years before, when his name shot suddenly to the zenith from a Crimean battlefield, to remain forever celebrated. It was food and drink to me to look, and look, and look at that demigod; scanning, searching, noting: the quietness, the reserve, the noble gravity of his countenance; the simple honesty that expressed itself all over him; the sweet unconsciousness of his greatnessunconsciousness of the hundreds of admiring eyes fastened upon him, unconsciousness of the deep, loving, sincere worship welling out of the breasts of those people and flowing toward him.

    The clergyman at my left was an old acquaintance of mineclergyman now, but had spent the first half of his life in the camp and field, and as an instructor in the military school at Woolwich. Just at the moment I have been talking about, a veiled and singular light glimmered in his eyes, and he leaned down and muttered confidentially to meindicating the hero of the banquet with a gesture:

    "Privatelyhe's an absolute fool."

    This verdict was a great surprise to me. If its subject had been Napoleon, or Socrates, or Solomon, my astonishment could not have been greater. Two things I was well aware of: that the Reverend was a man of strict veracity, and that his judgement of men was good. Therefore I knew, beyond doubt or question, that the world was mistaken about this hero: he was a fool. So I meant to find out, at a convenient moment, how the Reverend, all solitary and alone, had discovered the secret.

    Some days later the opportunity came, and this is what the Reverend told me.

    About forty years ago I was an instructor in the military academy at Woolwich. I was present in one of the sections when young Scoresby underwent his preliminary examination. I was touched to the quick with pity; for the rest of the class answered up brightly and handsomely, while hewhy, dear me, he didn't know anything, so to speak. He was evidently good, and sweet, and lovable, and guileless; and so it was exceedingly painful to see him stand there, as serene as a graven image, and deliver himself of answers which were veritably miraculous for stupidity and ignorance. All the compassion in me was aroused in his behalf. I said to myself, when he comes to be examined again, he will be flung over, of course; so it will be simply a harmless act of charity to ease his fall as much as I can. I took him aside, and found that he knew a little of Csar's history; and as he didn't know anything else, I went to work and drilled him like a galley slave on a certain line of stock questions concerning Csar which I knew would be used. If you'll believe me, he went through with flying colors on examination day! He went through on that purely superficial "cram," and got compliments too, while others, who knew a thousand times more than he, got plucked. By some strangely lucky accidentan accident not likely to happen twice in a centuryhe was asked no question outside of the narrow limits of his drill.

    It was stupefying. Well, all through his course I stood by him, with something of the sentiment which a mother feels for a crippled child; and he always saved himselfjust by miracle, apparently.

    Now of course the thing that would expose him and kill him at last was mathematics. I resolved to make his death as easy as I could; so I drilled him and crammed him, and crammed him and drilled him, just on the line of questions which the examiners would be most likely to use, and then launching him on his fate. Well, sir, try to conceive of the result: to my consternation, he took the first prize! And with it he got a perfect ovation in the way of compliments.

    Sleep? There was no more sleep for me for a week. My conscience tortured me day and night. What I had done I had done purely through charity, and only to ease the poor youth's fallI never had dreamed of any such preposterous result as the thing that had happened. I felt as guilty and miserable as the creator of Frankenstein. Here was a woodenhead whom I had put in the way of glittering promotions and prodigious responsibilities, and but one thing could happen: he and his responsibilities would all go to ruin together at the first opportunity.

    The Crimean war had just broken out. Of course there had to be a war, I said to myself: we couldn't have peace and give this donkey a chance to die before he is found out. I waited for the earthquake. It came. And it made me reel when it did come. He was actually gazetted to a captaincy in a marching regiment! Better men grow old and gray in the service before they climb to a sublimity like that. And who could ever have foreseen that they would go and put such a load of responsibility on such green and inadequate shoulders? I could just barely have stood it if they had made him a cornet; but a captainthink of it! I thought my hair would turn white.

    Consider what I didI who so loved repose and inaction. I said to myself, I am responsible to the country for this, and I must go along with him and protect the country against him as far as I can. So I took my poor little capital that I had saved up through years of work and grinding economy, and went with a sigh and bought a cornetcy in his regiment, and away we went to the field.

    And thereoh dear, it was awful. Blunders? Why, he never did anything but blunder. But, you see, nobody was in the fellow's secreteverybody had him focused wrong, and necessarily misinterpreted his performance every timeconsequently they took his idiotic blunders for inspirations of genius; they did, honestly! His mildest blunders were enough to make a man in his right mind cry; and they did make me cryand rage and rave too, privately. And the thing that kept me always in a sweat of apprehension was the fact that every fresh blunder he made increased the luster of his reputation! I kept saying to myself, he'll get so high, that when discovery does finally come, it will be like the sun falling out of the sky.

    He went right along up, from grade to grade, over the dead bodies of his superiors, until at last, in the hottest moment of the battle of ------- down went our colonel, and my heart jumped into my mouth, for Scoresby was next in rank! Now for it, said I; we'll all land in Sheol in ten minutes, sure.

    The battle was awfully hot; the allies were steadily giving way all over the field. Our regiment occupied a position that was vital; a blunder now must be destruction. At this crucial moment, what does this immortal fool do but detach the regiment from its place and order a charge over a neighboring hill where there wasn't a suggestion of an enemy! "There you go!" I said to myself; "this is the end at last."

    And away we did go, and were over the shoulder of the hill before the insane movement could be discovered and stopped. And what did we find? An entire and unsuspected Russian army in reserve! And what happened? We were eaten up? That is necessarily what would have happened in ninety-nine cases out of a hundred. But no, those Russians argued that no single regiment would come browsing around there at such a time. It must be the entire English army, and that the sly Russian game was detected and blocked; so they turned tail, and away they went, pell-mell, over the hill and down into the field, in wild confusion, and we after them; they themselves broke the solid Russian center in the field, and tore through, and in no time there was the most tremendous rout you ever saw, and the defeat of the allies was turned into a sweeping and splendid victory! Marshal Canrobert looked on, dizzy with astonishment, admiration,and delight; and sent right off for Scoresby, and hugged him, and decorated him on the field, in presence of all the armies!

    And what was Scoresby's blunder that time? Merely the mistaking his right hand for his leftthat was all. An order had come to him to fall back and support our right; and instead, he fell forward and went over the hill to the left. But the name he won that day as a marvelous military genius filled the world with his glory, and that glory will never fade while history books last.

    He is just as good and sweet and lovable and unpretending as a man can be, but he doesn't know enough to come in when it rains. Now that is absolutely true. He is the supremest ass in the universe; and until half an hour ago nobody knew it but himself and me. He has been pursued, day by day and year by year, by a most phenomenal and astonishing luckiness. He has been a shining soldier in all our wars for a generation; he has littered his whole military life with blunders, and yet has never committed one that didn't make him a knight or a baronet or a lord or something. Look at his breast; why, he is just clothed in domestic and foreign decorations. Well, sir, every one of them is the record of some shouting stupidity or other; and taken together, they are proof that the very best thing in all this world that can befall a man is to be born lucky. I say again, as I said at the banquet, Scoresby's an absolute fool.

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  • Harrison Bergeron [Vonnegut] [Sci-Fi]

    The year was 2081, and everybody was finally equal. They weren't only equal before God and the law. They were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. Nobody was stronger or quicker than anybody else. All this equality was due to the 211th, 212th, and 213th Amendments to the Constitution, and to the unceasing vigilance of agents of the United States Handicapper General.

    Some things about living still weren't quite right, though. April for instance, still drove people crazy by not being springtime. And it was in that clammy month that the H-G men took George and Hazel Bergeron's fourteen-year-old son, Harrison, away.

    It was tragic, all right, but George and Hazel couldn't think about it very hard. Hazel had a perfectly average intelligence, which meant she couldn't think about anything except in short bursts. And George, while his intelligence was way above normal, had a little mental handicap radio in his ear. He was required by law to wear it at all times. It was tuned to a government transmitter. Every twenty seconds or so, the transmitter would send out some sharp noise to keep people like George from taking unfair advantage of their brains.

    George and Hazel were watching television. There were tears on Hazel's cheeks, but she'd forgotten for the moment what they were about.

    On the television screen were ballerinas.

    A buzzer sounded in George's head. His thoughts fled in panic, like bandits from a burglar alarm.

    "That was a real pretty dance, that dance they just did," said Hazel.

    "Huh," said George.

    "That dance-it was nice," said Hazel.

    "Yup," said George. He tried to think a little about the ballerinas. They weren't really very good-no better than anybody else would have been, anyway. They were burdened with sashweights and bags of birdshot, and their faces were masked, so that no one, seeing a free and graceful gesture or a pretty face, would feel like something the cat drug in. George was toying with the vague notion that maybe dancers shouldn't be handicapped. But he didn't get very far with it before another noise in his ear radio scattered his thoughts.

    George winced. So did two out of the eight ballerinas.

    Hazel saw him wince. Having no mental handicap herself, she had to ask George what the latest sound had been.

    "Sounded like somebody hitting a milk bottle with a ball peen hammer," said George.

    "I'd think it would be real interesting, hearing all the different sounds," said Hazel a little envious. "All the things they think up."

    "Urn," said George.

    "Only, if I was Handicapper General, you know what I would do?" said Hazel. Hazel, as a matter of fact, bore a strong resemblance to the Handicapper General, a woman named Diana Moon Glampers. "If I was Diana Moon Glampers," said Hazel, "I'd have chimes on Sunday- just chimes. Kind of in honor of religion."

    "I could think, if it was just chimes," said George.

    "Well-maybe make 'em real loud," said Hazel. "I think I'd make a good Handicapper General."

    "Good as anybody else," said George.

    "Who knows better then I do what normal is?" said Hazel.

    "Right," said George. He began to think glimmeringly about his abnormal son who was now in jail, about Harrison, but a twenty-one-gun salute in his head stopped that.

    "Boy!" said Hazel, "that was a doozy, wasn't it?"

    It was such a doozy that George was white and trembling, and tears stood on the rims of his red eyes. Two of of the eight ballerinas had collapsed to the studio floor, were holding their temples.

    "All of a sudden you look so tired," said Hazel. "Why don't you stretch out on the sofa, so's you can rest your handicap bag on the pillows, honeybunch." She was referring to the forty-seven pounds of birdshot in a canvas bag, which was padlocked around George's neck. "Go on and rest the bag for a little while," she said. "I don't care if you're not equal to me for a while."

    George weighed the bag with his hands. "I don't mind it," he said. "I don't notice it any more. It's just a part of me."

    "You been so tired lately-kind of wore out," said Hazel. "If there was just some way we could make a little hole in the bottom of the bag, and just take out a few of them lead balls. Just a few."

    "Two years in prison and two thousand dollars fine for every ball I took out," said George. "I don't call that a bargain."

    "If you could just take a few out when you came home from work," said Hazel. "I mean-you don't compete with anybody around here. You just set around."

    "If I tried to get away with it," said George, "then other people'd get away with it-and pretty soon we'd be right back to the dark ages again, with everybody competing against everybody else. You wouldn't like that, would you?"

    "I'd hate it," said Hazel.

    "There you are," said George. The minute people start cheating on laws, what do you think happens to society?"

    If Hazel hadn't been able to come up with an answer to this question, George couldn't have supplied one. A siren was going off in his head.

    "Reckon it'd fall all apart," said Hazel.

    "What would?" said George blankly.

    "Society," said Hazel uncertainly. "Wasn't that what you just said?

    "Who knows?" said George.

    The television program was suddenly interrupted for a news bulletin. It wasn't clear at first as to what the bulletin was about, since the announcer, like all announcers, had a serious speech impediment. For about half a minute, and in a state of high excitement, the announcer tried to say, "Ladies and Gentlemen."

    He finally gave up, handed the bulletin to a ballerina to read.

    "That's all right-" Hazel said of the announcer, "he tried. That's the big thing. He tried to do the best he could with what God gave him. He should get a nice raise for trying so hard."

    "Ladies and Gentlemen," said the ballerina, reading the bulletin. She must have been extraordinarily beautiful, because the mask she wore was hideous. And it was easy to see that she was the strongest and most graceful of all the dancers, for her handicap bags were as big as those worn by two-hundred pound men.

    And she had to apologize at once for her voice, which was a very unfair voice for a woman to use. Her voice was a warm, luminous, timeless melody. "Excuse me-" she said, and she began again, making her voice absolutely uncompetitive.

    "Harrison Bergeron, age fourteen," she said in a grackle squawk, "has just escaped from jail, where he was held on suspicion of plotting to overthrow the government. He is a genius and an athlete, is under-handicapped, and should be regarded as extremely dangerous."

    A police photograph of Harrison Bergeron was flashed on the screen-upside down, then sideways, upside down again, then right side up. The picture showed the full length of Harrison against a background calibrated in feet and inches. He was exactly seven feet tall.

    The rest of Harrison's appearance was Halloween and hardware. Nobody had ever born heavier handicaps. He had outgrown hindrances faster than the H-G men could think them up. Instead of a little ear radio for a mental handicap, he wore a tremendous pair of earphones, and spectacles with thick wavy lenses. The spectacles were intended to make him not only half blind, but to give him whanging headaches besides.

    Scrap metal was hung all over him. Ordinarily, there was a certain symmetry, military neatness to the handicaps issued to strong people, but Harrison looked like a walking junkyard. In the race of life, Harrison carried three hundred pounds.

    And to offset his good looks, the H-G men required that he wear at all times a red rubber ball for a nose, keep his eyebrows shaved off, and cover his even white teeth with black caps at snaggle-tooth random.

    "If you see this boy," said the ballerina, "do not - I repeat, do not - try to reason with him."

    There was the shriek of a door being torn from its hinges.

    Screams and barking cries of consternation came from the television set. The photograph of Harrison Bergeron on the screen jumped again and again, as though dancing to the tune of an earthquake.

    George Bergeron correctly identified the earthquake, and well he might have - for many was the time his own home had danced to the same crashing tune. "My God-" said George, "that must be Harrison!"

    The realization was blasted from his mind instantly by the sound of an automobile collision in his head.

    When George could open his eyes again, the photograph of Harrison was gone. A living, breathing Harrison filled the screen.

    Clanking, clownish, and huge, Harrison stood - in the center of the studio. The knob of the uprooted studio door was still in his hand. Ballerinas, technicians, musicians, and announcers cowered on their knees before him, expecting to die.

    "I am the Emperor!" cried Harrison. "Do you hear? I am the Emperor! Everybody must do what I say at once!" He stamped his foot and the studio shook.

    "Even as I stand here" he bellowed, "crippled, hobbled, sickened - I am a greater ruler than any man who ever lived! Now watch me become what I can become!"

    Harrison tore the straps of his handicap harness like wet tissue paper, tore straps guaranteed to support five thousand pounds.

    Harrison's scrap-iron handicaps crashed to the floor.

    Harrison thrust his thumbs under the bar of the padlock that secured his head harness. The bar snapped like celery. Harrison smashed his headphones and spectacles against the wall.

    He flung away his rubber-ball nose, revealed a man that would have awed Thor, the god of thunder.

    "I shall now select my Empress!" he said, looking down on the cowering people. "Let the first woman who dares rise to her feet claim her mate and her throne!"

    A moment passed, and then a ballerina arose, swaying like a willow.

    Harrison plucked the mental handicap from her ear, snapped off her physical handicaps with marvelous delicacy. Last of all he removed her mask.

    She was blindingly beautiful.

    "Now-" said Harrison, taking her hand, "shall we show the people the meaning of the word dance? Music!" he commanded.

    The musicians scrambled back into their chairs, and Harrison stripped them of their handicaps, too. "Play your best," he told them, "and I'll make you barons and dukes and earls."

    The music began. It was normal at first-cheap, silly, false. But Harrison snatched two musicians from their chairs, waved them like batons as he sang the music as he wanted it played. He slammed them back into their chairs.

    The music began again and was much improved.

    Harrison and his Empress merely listened to the music for a while-listened gravely, as though synchronizing their heartbeats with it.

    They shifted their weights to their toes.

    Harrison placed his big hands on the girls tiny waist, letting her sense the weightlessness that would soon be hers.

    And then, in an explosion of joy and grace, into the air they sprang!

    Not only were the laws of the land abandoned, but the law of gravity and the laws of motion as well.

    They reeled, whirled, swiveled, flounced, capered, gamboled, and spun.

    They leaped like deer on the moon.

    The studio ceiling was thirty feet high, but each leap brought the dancers nearer to it.

    It became their obvious intention to kiss the ceiling. They kissed it.

    And then, neutraling gravity with love and pure will, they remained suspended in air inches below the ceiling, and they kissed each other for a long, long time.

    It was then that Diana Moon Clampers, the Handicapper General, came into the studio with a double-barreled ten-gauge shotgun. She fired twice, and the Emperor and the Empress were dead before they hit the floor.

    Diana Moon Clampers loaded the gun again. She aimed it at the musicians and told them they had ten seconds to get their handicaps back on.

    It was then that the Bergeron's television tube burned out.

    Hazel turned to comment about the blackout to George. But George had gone out into the kitchen for a can of beer.

    George came back in with the beer, paused while a handicap signal shook him up. And then he sat down again. "You been crying" he said to Hazel.

    "Yup," she said.

    "What about?" he said.

    "I forget," she said. "Something real sad on television."

    "What was it?" he said.

    "It's all kind of mixed up in my mind," said Hazel.

    "Forget sad things," said George.

    "I always do," said Hazel.

    "That's my girl," said George. He winced. There was the sound of a riveting gun in his head.

    "Gee - I could tell that one was a doozy, " said Hazel.

    "You can say that again," said George.

    "Gee-" said Hazel, "I could tell that one was a doozy."

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