Cross-posted from: !animationafter30@lemmy.world

Original thread: https://lemmy.world/post/14414789

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Title: An American Tail, and the sequel: An American Tail: Fievel Goes West

Type: Western animated movie

Year: 1986; 1991

Country: United States

Genre: Kids/comedy/action

Appropriate for 30+?: Unable to judge

My rating: N/A

Note: IMO it’s impossible to give a piece of your childhood a fair review (nostalgia and dozens of rewatches heavily warp one’s perception of a work), so I decided to go in a different direction from my typical reviews and focus on the rewatch experience instead.

An American Tail: Fievel Goes West (hereby: FGW) was one of my favorite movies as a young kid. I watched it so many times I could practically recite the dialogue from heart. After learning that it was actually a sequel I watched the original 1986 movie (hereby: AAT) once or twice, but didn’t like it as much. I remember feeling that while the sequel was a laugh-a-minute romp with engaging action scenes, the original just wasn’t as fun and was instead a bit of a downer with some scary/creepy moments (especially the climax when the cats attack and the Mouse of Minsk is released).

Several decades since my last viewing, I decided to give the two movies a watch to see how they held up. I started with AAT and found it somewhat rougher around the edges than I expected, but still above-average for a kid’s movie. I then watched FGW, and wowza I was not wrong as a child: the sequel is such an improvement on the original. It’s the kind of sequel where they basically go through the plot of the original again with a different setting (ala The Hangover), but FGW is such a superior movie that it was more like watching a wildly successful reboot. The animation, soundtrack, pacing, dialogue, humor, and villains experience a huge improvement over the original. There is mild value in watching AAT first (as it explains a few confusing parts of FGW, like why Fievel is willing to risk his life for a hat, and why his father is confident he’ll survive getting lost by himself in the desert), but 99% of FGW stands up on its own.

One major difference between the two is that FGW is infinitely goofier, and is possibly one of the best examples of Looney Tunes-style slapstick humor out there. I haven’t been a fan of slapstick this side of elementary school, and had I had been introduced to these movies as an adult this aspect might have put me off to the sequel, however whether through the power of nostalgia, quality choreography, or the fact that the slapstick is intertwined with other types of humor, I did not mind the slapstick segments much. Additionally, it was quite fun whenever a joke or bit of dialogue came along that made me go, “aha, I’m pretty sure I didn’t catch that as a kid!” I know I didn’t properly appreciate the performances of John Cleese and James Stewart! FGW runs at a mile-a-minute, and there’s so much nonsensically-brilliant dialogue, tight choreography and cinematography, and easy-to-miss details that elevate the movie beyond just a kid-pleasing goofy romp.

I walked away from this exercise in nostalgia relieved that AAT and FGW still hold up over 30 years later (there are some racial stereotypes in both that probably wouldn’t pass muster today, but they’re mild compared to the stuff from that era that didn’t age well). I was impressed with how effortlessly AAT and FGW were able to portray “the American story” in a way easily digestible for young children while still including subtle real-life details (like the pogroms that pushed the Mousekewitz family out of then-Russia-now-Ukraine). I don’t know if an adult watching the movies for the first time would enjoy them, but I definitely had a blast.

Cross-posted from: !animationafter30@lemmy.world

Original thread: https://lemmy.world/post/12538199

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Title: Inside Job

Type: TV series

Year: 2021

Country: United States

Genre: Comedy

Status: Cancelled (RIP)

Platform: Netflix

Appropriate for 30+?: Absolutely

My rating: 4/5 stars

(Rating scale: 5/5 = masterpiece, 4/5 = quite good, 3/5 = mostly good, 2/5 = bleh, 1/5 = I regret ever being exposed to this series, 0/5 = affront to humanity)

Inside Job is peak Millennial media. Most of the main characters are Millennials, jokes and cultural references are aimed at 20- and 30-somethings, a major plotline revolves around the Millennial protagonist and the strained relationship with her Boomer dad, and there’s even have an entire 80s nostalgia parody episode.

Overall I’d give the series a B (4/5 stars: good but not great). The humor generally lands and the plots are interesting enough. The characters start out painfully two-dimensional but become more charming over time. Unfortunately the latter episodes somehow lack the charm and fun of the earlier episodes, and alas the series never got a chance to redeem itself in season two after being unfairly axed by Netflix after a mere 18 episodes (and a cliffhanger ending). Perhaps not a “must-watch” for the general public, but I’d heartily recommend it to any fan of western adult animation.

Summarized in a phrase: a funnier, smarter American Dad.

Cross-posted from !animationafter30@lemmy.world

Original thread here: https://lemmy.world/post/12816521

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Japanese title*: Shimanami Tasogare (しまなみ誰そ彼)

English title: Our Dreams at Dusk

Type: Manga

Year: 2015-2018

Country: Japan

Genre: Drama

Status: Completed (four volumes)

Platform: Seven Seas Entertainment published the series in English; old scanlations can also be easily found online

Appropriate for 30+?: Resounding yes

My rating: 5/5 stars

(Rating scale: 5/5 = masterpiece, 4/5 = quite good, 3/5 = mostly good, 2/5 = bleh, 1/5 = I regret ever being exposed to this series, 0/5 = affront to humanity)

*the title in Japanese has a double meaning, with "Shimanami" being a place name, and "tasogare" meaning "twilight" but it's spelled to loosely translate instead to "who is he?"

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To preface: I almost never give out perfect 5/5 ratings, but Shimanami Tasogare is just that solid. It's a series I've read several times and adore for both general and personal reasons. I've written an unusually long review because there's just so much to unpack here. While there are no major spoilers ahead, if you trust my judgement stop reading this review and go read the series instead: I don't want to unnecessarily color your experience.

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Shimanami Tasogare is a series of understated brilliance that does so many things well that it's difficult to know where to start dissecting it. I'll start with the subtlely beautiful art, which features just enough detail to be realistic yet a touch dream-like, and it confidently dips into the surreal to introduce brief, almost flow-of-consciousness moments for the purpose of conveying the characters' emotions in the moment (this is only one of many ways that the series excels at "show don't tell"). The setting is itself an integral part of the story, and is portrayed in a level of detail and specificity rarely seen in manga. Then there's the tone: while the series deals with serious topics and sad moments, it handles them with grace and skillfully maintains an overall uplifting and joyous vibe (which I really appreciated, as I rather dislike "I smiled through the tears!" or "orphan-crushing machine" stories that are billed as "bittersweet" or "heartwarming," although be forewarned some characters' plotlines are more tragic than others, and the emotional impact of each plotline will almost certainly differ from reader to reader depending on whether it hits close to home or not).

One of the series' greatest strengths is in the characters, every one of which is complex, imperfect, sympathetic, interesting, and above all human. While the protagonist is a high school boy, the supporting cast range from approximately age 11 to 60, with most in their 20s/30s, and about an even gender split. You could argue this is a coming of age story, however the high school plotline is portrayed with maturity, and the older characters all get their own fully-fleshed-out plotlines too, so I think the more generic "character drama" label is much more appropriate. Characters' reactions are not always immediately understood by the audience, but they never feel arbitrary, like they came out of nowhere, or merely happened for the sake of plot development. The characters always drive the plot, never the other way around.

Speaking of the plot, while far from an "edge-of-your-seat" series, the plot is quite engaging, and barreling through the entire four-volume series in one sitting is far from unthinkable. The pacing is fantastic, much of which is thanks to the series' excellence in "show don't tell": the dialogue never feels excessive nor insufficient, and the author conveys characters' thoughts and emotions via art, expression, and action as much as via dialogue. This leads to scenes that squeeze a lot of development into just a few panels, but it never feels rushed or confusing.

Two details that made me personally love the manga even more are: (1) the series is set along the "Shimanami Kaido," which as mentioned in the manga is a historic area of central Japan made up of a series of islands connected by a long highway that also features a fantastic cycling route that I've ridden myself (if you ever visit Japan and are capable of riding a bike, rent yourself a cheap mama-chari and ride as much of the route as you physically can). (2) The characters are involved with a non-profit that renovates old abandoned houses ("akiya") and repurposes them; I love old stuff and there's something so romantic and enticing about both the slow-decline vibe of abandoned houses in depopulated areas and the magic of "restoring something old to its former glory" renovation projects. While neither the Shimanami area nor the akiya restoration project are the focus of the series, they are explored in a good amount of detail and the reader should walk away from the series having learned something about both.

Now that I've sufficiently buried the lede, it's time to discuss probably the most noteworthy elements of Shimanami Tasogare, which is that it's possibly one of the best LGBTQ+ manga ever written; it certainly was groundbreaking in the mid-2010s when it was released for its realistic depiction of LGBTQ+ issues in Japan. However! Much like how the series feels relevant and highly accessible even to readers much older than the adolescent protagonist, Shimanami Tasogare is far from a manga only for LGBTQ readers. In fact, I'd strongly argue that everyone regardless of sexual/gender orientation should read this manga, not only for all the series' fantastic qualities I listed above, but also for its poignant messaging about intentional and unintentional homo/transphobia and what it means to be a supportive ally. I would go so far as to wish it were required reading in every middle school in the US, up there with other cultural touchstones like To Kill a Mockingbird, because it covers a lot of "culture war" issues (both in relation to LGBTQ+ issues and otherwise) in a compassionate, clear, and concise way while somehow never feeling preachy. Full disclaimer: I do not consider myself a member of the LGBTQ+ community, and thus this review is from the perspective of an ally. However my understanding is that the manga received rave reviews from LGBTQ+ communities in Japan and abroad, so I feel confident in my positive assessment of the series.

As just one example of effective messaging, the series clearly demonstrates the value and importance of "safe spaces" (both IRL and digital) for marginalized populations, and what can happen when they're invaded, even if it's with good intentions. One of the supporting characters is a pushy and opinionated straight/cis woman who takes it upon herself to white knight for her trans friend and repeatedly oversteps her bounds until she's finally told off and sheepishly retreats to the literal background for the remainder of the series. No one ever comes out and explains that "a true ally is someone who knows when to step up and when to step back," but anyone with a touch of reading comprehension will hear this message loud and clear.

This is how almost all messaging in the series is: rarely stated directly, but portrayed so clearly that anyone with a shred of compassion or sympathy will understand them. I've considered myself an ally of the LGBTQ+ community for over twenty years, and have read many explanations on microaggressions, safe spaces, the importance of allyship, "the queer experience," etc. (in addition to similar pieces related to other marginalized groups, such as racial/ethnic/religious minorities). Rarely have I read a more clear, convincing, and more importantly precise and concise argument for so many concepts often dismissed as "libtard bullshit." I think this is a case of using a medium to its full potential: the graphic novel format allows the author to portray a lot of concepts non-verbally, which better allows the reader to feel like they've been able to observe the situation for themselves and thus draw their own conclusions, while simultaneously avoiding the inherent "preachiness" of verbal communication. The author never needs to state "don't do X, because it will make people feel bad," because the reader can instead watch X unfold, then infer for themselves that it made a character feel bad based on their expression and body language. This technique only works because every character and every situation feels so realistic, especially in relation to each other, which is why it's critical that so many other elements of the manga are as solid as they are.

Another testament to how successful the author is at conveying difficult messages in a positive and effective way is in how the manga has aged: usually with quickly-evolving cultural topics (such as LGBTQ+ issues) there's almost always something that even expert creators get wrong, that feels outdated even only a few years later, that comes off as misguided, divisive, controversial, or offensive. The stronger the messaging the more likely these blunders are to occur, and Shimanami Tasogare definitely has some strong messaging. Now perhaps there's something that I overlooked or missed that someone from the LGBTQ+ community would identify as a misstep on the part of the author. However I think the author did a brilliant thing to avoid this when crafting their messaging: they portray imperfect characters that are often conflicted and uncertain of what they should do, characters that cause hurt and feel hurt even when no ill will was intended. Further, and as outlined above, the author avoids preachy dialogue that declares absolute truths by instead utilizing "show don't tell." After all images are inherently more nuanced messengers than words (there are a few moments where characters do have to spell things out for each other, but the messaging is usually either extremely general or portrayed as just their opinion, and is always plot-relevant and never feels ham-fisted or forced). One of the central themes of the series is the difficulties people inevitably have understanding each other, often even themselves, and how this unfortunately leads to people hurting one another even when they're trying to help or do the right thing. Yet the series is generally positive about society and humanity as a whole, and would fit right in with the "it gets better" campaign. This all further helps the series feel nuanced, as if to assure the reader, "no one can always get it right (not even me the author) and that's okay."

In summary: Shimanami Tasogare is a story about people (LGBTQ+ or otherwise) and their relationships with themselves, other individuals, and society as a whole. It is brilliantly composed, with exemplary art, pacing, plot, dialogue, setting, and characters. It is smart but accessible, with timeless themes about human relationships that are also painfully relevant to contemporary issues, and it conveys poignant messaging without soapboxing. A core theme of Shimanami Tasogare is that your sexual/gender identity is part of you not all of you, and the same should be said for this manga: while it is a story that covers LGBTQ+ issues, it is far from being just an LGBTQ+ work. I highly recommend this series to everyone, regardless of age,* nationality, or gender/sexual identity.

*Given the nuanced and sometimes difficult content discussed, some discretion is advised. I'd give it a 12+ age rating, although it may resonate better with audiences 14+.

Cross-posted from !animationafter30@lemmy.world

Original thread here: https://lemmy.world/post/14998497

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Title: One Room of Happiness (Original Title: 幸色のワンルーム)

Type: Manga

Year: 2017-2022

Country: Japan

Genre: Drama/Psychological

Status: Completed

Platform: Licensed by Crunchyroll (license discontinued?)

Appropriate for 30+?: Yes

My rating: 4/5 stars

(Rating scale: 5/5 = masterpiece, 4/5 = quite good, 3/5 = mostly good, 2/5 = bleh, 1/5 = I regret ever being exposed to this series, 0/5 = affront to humanity)

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Warning: One Room of Happiness contains difficult subject matter such as suicide, abuse, and rape. Many of the characters are or have been victims of abuse, and as such this series has multiple scenes and chapters that can only be described as "emotionally unpleasant." However the series also has many "warm and fuzzy" moments, and while there is tension that things could suddenly go horribly wrong underlying much of the series, this is balanced with joy and hope. In this way the series shares a lot of thematic and tone overlap with Oyasumi Punpun.

Given that Oyasumi Punpun is an infamous emotional trainwreck of a series, and given that the premise and initial chapters of One Room of Happiness send off super-skeevy vibes, here's a mild spoiler about just how bad One Room of Happiness gets:

spoiler

The ending of One Room of Happiness is bittersweet: nowhere near as devastating as Oyasumi Punpun, but certainly not a fully happy ending either. The "kidnapper" does not attempt anything untoward toward the "kidnapped;" their relationship is generally wholesome, albeit in a fucked-up way. However rape-attempt scenes involving other characters do occur on two occasions in the series.

The core of the series is in its character study of abused individuals dealing with trauma, and the character development that comes with working through it and connecting with others also scarred by abuse. The plot is fairly engaging, and there's some cat-and-mouse as the "kidnapper and kidnapped" try to evade the police. The art, pacing, and dialogue are all quite good. Because one of the core themes of the series is recovering from trauma, the series is overall more wholesome, heartwarming, and uplifting than most "psychological" series, which depending on the series can border on torture porn. IANAP (I am not a psychologist), however I left One Room of Happiness feeling like the difficult subjects handled in this series were done respectfully, gracefully, and at least somewhat realistically.

The two main characters are on the younger side (14 and early/mid-twenties), however the subject matter is mature and, likely due to their trauma, the characters act mature for their age. The series's overall quality is high, and the "turn-offs for older audiences" that I try to watch for with these reviews are basically absent. As long as you are prepared for the heavy subject matter and can get through some of the more questionable content/vibes of the early chapters (including one chapter with non-sexualized 14yo nudity), I think this series is both appropriate and enjoyable for older audiences.

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As always, this review is nothing more than my personal opinion. Anyone familiar with this work is encouraged to express their own in the comment section. Or submit your own review… it’s a free country fediverse.

Cross-posted from !animationafter30@lemmy.world

Original post: https://lemmy.world/post/14555726

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Title: Heaven's Design Team (original: 天地創造デザイン部)

Type: Anime TV

Year: 2021

Country: Japan

Genre: Comedy/Educational

Status: Completed

Platform: Crunchyroll (watch here)

Appropriate for 30+?: Yes

My rating: 4/5 stars

(Rating scale: 5/5 = masterpiece, 4/5 = quite good, 3/5 = mostly good, 2/5 = bleh, 1/5 = I regret ever being exposed to this series, 0/5 = affront to humanity)

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The greatest irony of Heaven's Design Team is that a series about creationism is actually one of the best science anime out there (not that there's a lot of competition). While some elements of the show would undoubtedly make many biologists squirm (for instance, the show's premise inevitably leads the series to portray evolution as intentional rather than incidental), however if you're willing to brush off certain scientific inaccuracies as a consequence of artistic liberty, this is a really fun, mildly-educational show.

The premise of Heaven's Design Team is simple: God burned out when having to create Earth and everything that lives there, so He outsourced the work to a team of designers (the main cast). Most episodes revolve around the design team receiving a specific request from God for a new animal (like "an animal with bones as weapons" or "make more stripey animals") and then they walk through different possible ideas and why that would/would not work given physiological limits and environmental pressures. It becomes a bit of a puzzle show: can the viewer guess what real-world animal the design team is building up to? (Or for the more obscure animals: have you even heard of this species before?) Between the brainstorming and trial-and-error, there's a lot of failed designs along the way to a design that God deems "accepted," and IMO the most interesting part of the show is when they go into why certain designs failed and the tweaks necessary to get around it (for example: bigger eyes means better eyesight, but then the eyeballs take up so much room in the skull there's no room for the musculature necessary to move them, so the design team extends the animal's neck so it moves its head rather than its eyeballs).

The show has very little objectionable material in it (a PG-rating at worst), and the deluge of "fun facts about animals" is reminiscent of kid-oriented nature shows (like Wild Kratts), however I think Heaven's Design Team has plenty of entertainment value for adults too. I consider myself quite well-educated on animals for a layperson, but most of the facts and many of the animals I had never heard about before, so there were plenty of surprises and much trivia learned. There's also a good dose of (G-rated) adult-oriented humor, mostly of the office workplace variety. Mostly though I think older audiences will appreciate the series's solid execution: the animation is bold and colorful, the dialogue is decent, the pacing is snappy (exceptionally so for a comedy anime), and the humor is on the gag side but the jokes usually land. While the characters are extremely two-dimensional and undergo minimal character development, that actually works in the show's favor, as it gives each animal designer a "style" that influences the creatures they create (whether they're more likely to come out cute, creepy, delicious, etc). While some topics of humor are used multiple times (e.g. "Tsuchiya/Saturn is obsessed with making everything into a horse!") on each occasion the reused humor was always presented with a fresh spin and never wore out over the series's 13 episode run (sadly rehashing the same tired joke over and over is par for the course in comedy anime, so this is impressive). I think the series goes a little off the rails at times in the last few episodes and gets extra goofy (although bonus episode 13 brings the series back to its roots), but even the weaker segments of the series are still very watchable.

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As always, this review is nothing more than my personal opinion. Anyone familiar with this work is encouraged to express their own in the comment section. Or submit your own review… it’s a free country fediverse.

I posted the following review to !animationafter30@lemmy.world, a community for fans of animation and comics who are at least 30 years old (the idea behind the community is to have a dedicated place in the fediverse for recommending and discussing works from the perspective of an older viewer/reader). Given the subject matter overlap it was suggested to me that I also post the review here.

Original thread: https://lemmy.world/post/14370969

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Title: Spy x Family

Type: Anime TV

Year: 2022-2023 (Seasons 1 & 2)

Country: Japan

Genre: Comedy with some thriller/action

Status: Ongoing? (Movie forthcoming, and sequels likely)

Platform: Crunchyroll (watch here)

Appropriate for 30+?: Somewhat

My rating: 3/5 stars

(Rating scale: 5/5 = masterpiece, 4/5 = quite good, 3/5 = mostly good, 2/5 = bleh, 1/5 = I regret ever being exposed to this series, 0/5 = affront to humanity)

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Watching Spy x Family can feel like rolling a roulette wheel: is this week's episode going to be a spy thriller? A gorey action sequence? A goofy comedy of misunderstanding? A slice-of-life? A heartwarming tale of family? All of the above smooshed together? At its core, the series is a sitcom: the premise rests heavily on the unique traits of each cast member, so the plot almost always revolves around how those characters interact with each other and resolve a variety of situations that get thrown their way, usually in an humorous manner (so yeah, situational-comedy).

The series' elevator pitch: because of circumstances, a super-spy undercover in enemy territory, a secret assassin, and a child psychic (and later a dog with precognition) form a fake family that slowly becomes real as they spend time with each other, while frantically keeping their secrets from each other. The series introduces various side characters, like the sis-con brother who covertly works for the secret police, who also have amusing traits that interact with the main cast in funny ways (that's the idea anyway). And sure, there are some funny scenes and moments that result from these interactions. But like most sitcoms, both character and plot development are horribly stifled by the fact that the entire series revolves around each character's set bio, and any change to that would disturb the series' delicate balance. This removes a lot of tension from any action scene or occasion where a character's identity might be found out, because we the audience know that any major plot development would spell the end of the series, thus encapsulating everything that happens in a thick layer of plot armor. It also results in repetitive situations (how many times can you joke about the sis-con brother's unhealthy obsession with his sister before it gets stale?) because there's only so much material to work with without changing the base dynamic, and as nothing can be taken seriously in a series with such a preposterous premise, the wacky-hijinks factor is quite high. It can feel like watching Saturday Night Live: some skits are haha-funny, some are heh-funny, and some are not funny at all (and feel like a drag to get through). There are some cute and hearwarming moments and I'd say that this was at least a turn-your-brain-off wholesome-comedy series, if it weren't for the sporadic fight scenes, which are sometimes "TV-Y7" levels of violent, and other times quite bloody.

One of the difficulties with being a long-time fan of anime is that the cliches really start to wear on you after a while. While Spy x Family has some novelty to it, it also has jokes (so many jokes) about how the mother character's cooking is terrible to the point of inducing severe illness. Throw in the complete lack of character development among the 2-dimensional cast, multiple boring "skits" (there's an episode where the entire plot is two characters look for a lost cat and surprise! hijinks ensue, 'nuff said), lackluster plots revolving around the spy/thriller/action sequences (while there is a TON of room for political drama and nuance given the setting, the series is way too frivolous to include any), stir it all together and you get a series that's just okay.

Despite all this I'm not surprised Spy x Family is a popular series; I'm sure I would have enjoyed it quite a bit had I watched it as a teenager, especially because anime has historically struggled with making comedy that's actually funny—part of this is the lost-in-translation factor, part of this is just the vast heaps of mediocrity out there—and Spy x Family is undeniably funnier-than-average when compared to other comedy anime. But it's not funny enough (or consistently funny enough) to be a pure comedy series, it falls horribly flat when judged by any other genre, and it overall has a feeling of immaturity of plot and premise. It's not a show that couldn't be enjoyed by adults, but I definitely felt like I was watching a show aimed at the teenage demographic. At least the parts I found cliche were boring rather than grating, which saved the series from getting a much lower rating.

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As always, this review is nothing more than my personal opinion. Anyone familiar with this work is encouraged to express their own in the comment section. Or submit your own review… it’s a free country fediverse.

I've frequently read that a good rule of thumb for many vegetables is that plant starts are ready for transplanting into the ground once they've "developed their second set of true leaves." However I'm unclear as to whether this means "once the second set of true leaves begin to emerge" or "once the second set of true leaves have grown to full size" or something in between.

I usually let the weather dictate when I plant out, but this spring has been mild enough that I've found myself with a huge window of opportunity. When do you all know your starts are ready to go in the ground?

"Dragon tongue" mustard with four cotyledons (seed leaves)

Germinated outdoors so pardon the slug damage

https://lemmy.world/c/animationafter30

A place for reviews, rants, recommendation requests, and memes for the older (30-year-old and up) crowd, because it can be difficult to keep the passion for animation and comics going after you've aged out of the medium's key demographic.

Whether you're curious whether Netflix's newest adult animation series is any good, are seeking recommendations for romance manhwa with middle-aged protagonists, have a "Millennial humor" webcomic to recommend, want to discuss the latest developments in your favorite "salaryman" manga, or simply want to wax poetic (or mournfully cringe) about how your favorite animated movie as a kid holds up decades later, this is the place for you!

No hate or gatekeeping of younger fans and newer series intended, however interests and tastes inevitably change over time and it's helpful to know whether that anonymous online user emphatically urging you to check out their favorite series is 14 or 40. (Or maybe you are one of those younger fans and are looking for an older adult's suggestions for animated films you can watch on family movie night that your parents won't immediately veto.)

Charles Bridge, Prague (modern day Czech Republic)

Artist: Rene Magritte

Artist: Romain Langlois

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White Pocket, Arizona, USA

Original photographer

The tree grew through the rotted truck bed.

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Yukon, Canada

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Triple Divide Peak, Montana, USA. The peak sheds water to the Pacific, Arctic, and Atlantic Oceans.

North American watersheds

San Francisco, California, USA

Photo by Toby Harriman

Iceland

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New York City, New York, USA