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Is lemmy now what reddit used to be 10+ years ago?
  • I started regularly using Reddit in 2013 and r/funny was general low quality spam from there sites, with A LOT of reposts, basically all content was the same content on loop. r/adviceanimals was huge and was basically a mashup of shower thoughts, jokes, off my chest and general opinionated statements, and it was huge. r/f7u12 was big but already seen as declining and cringe.

    The humour here isn't just Reddit style, the enormous amount of shitpost humour here is reflected in basically all "taking to chronically online strangers" community on the internet, from twitter to discord etc. I'd say shitpost humour outweighs all the other humour in this site.

    What Lemmy absolutely does have in common with old Reddit is the userbase being a bunch of trekie programmers. It used to be tech support on their office computers and now it's software developers on their home Linux machines but the way people talk and act is really similar. In old Reddit days, it was so easy to assume that whoever you spoke to was in work that it was the normal assumption, and you'd see a massive uptick in porn on r/all when evening hit in America. Summer Reddit was a name given to the school kids who'd suddenly swarm the sites in the summer holidays during office hours, and the average age and humour had a noticeable shift.

    Lemmy now feels like a site of similar in their 30s but they don't have 9-5 desk jobs where they browse Lemmy all day, so the hourly and daily trends don't really align like they used to, now it's all the classic trends at once as teenagers use Lemmy on their phones in school and work from home means people are shitposting and jerking off all day and night.

  • It's terrifying...
  • Season 1 is also great because it did a great job having the kids be basically doing ET, the teens doing a camp horror and the parents doing a cold war conspiracy thriller.

    Every season since of course needs to alter the group compositions, so we rarely get this again, although the elements are still there, they're now shaken up enough that the show is often more focused on riffing on its own formula then emulating the media that inspired it. And that's fine, it should probably be a good thing that it's not in the shadow of it's inspirations, but man do I miss that specific vibe.

  • Roman World
  • Although you could travel the land. Perhaps not cross the Sahara but if you lived in the Roman world, you could quite easily take some years to walk off the edge of the map and just explore. There would of course be a good chance of death from illness, animal or person, but equally like today, you may also meet plenty of kind people who would let you stay and maybe even share their knowledge of the area and culture.

  • Disco Inferno
  • Infact we should go out of our way to swear because it's the fucking advertising companies that pedal the ad friendly, PG internet and if you don't support that, you're harming their ability to advertise by swearing.

  • Windows 10 is EOL in October 2025
  • I have a PC I built that was absolutely top of the line 9½ years ago, that still plays most games in high to max settings. It's a little powerhouse for its age, I often use it for rendering video and it still smokes everybody I know 's devices.

    Windows 11 is too powerful for my PC according to Microsoft and I've been so pleased about that. If it wasn't for the fact that I have no issues with my current windows 10 setup, I'd put in some time to jump to Linux. I'm just too lazy to give it the weekend it would take to learn, set up and move my content over properly.

  • If you were a video game boss, what's the most likely or most fitting way the protagonist may beat you?
  • There was an edgy but very fun indie game a few years ago (maybe 5-6?) where one player played as a parent running around and childproofing the house while the other played as the baby trying to kill themselves. The game was surprisingly fun, and weirdly putting the logic you'd heard your entire life to keep children safe to die was always quiet funny, from getting forks to plugs to filling the bath etc.

    Taking inspiration to make a game in a psyche ward in a jail break / death is victory multiplayer game would probably make for a popular streaming game, although the topic is as horrible as the baby death game, perhaps worse because instead of being in the role of a silly unfortunate baby, you'd be in the role of somebody fully aware and acting with premeditation.

  • ts moment
  • What do you mean? Genuine question, I'm loosely familiar with the the issues with Discord having it's growing issues with data and advertising but I assumed Nitro was the worst element.

  • Man jailed for life after Gaza ‘revenge’ murder in Hartlepool
  • This may be slightly inaccurate but in the UK, life sentences basically never happen. A life sentence normally has a minimum term, in this case 45 years, before they can go up for parole. If they get parole, their freedom remains conditional for the rest of their life.

  • I fear no man.... Kinda
  • It's a shame that knowing average monster hitpoints is generally metagaming and there is no ranger option or similar to show you this.

    It would be cool to follow a fireball. If you know the enemy you're fighting has about 32 hitpoints for example, such as the thug, and a band of them got hit by a fireball for 30 damage, sleep is a perfect spell. But getting this combo off in game always feels a little metagamey in a way that just makes it ineffective.

  • I fear no man.... Kinda
  • I'd say the Rage beyond Death feature of the zealot is pretty major to how they're played. A level 14 barb may have 150 hitpoints or more, plus their resistances, but people play the zealot in high level games for this feature.

    The idea of getting to fight to 0 hitpoints, then keep fighting until you die and then still not relenting until the fight ends is rad. Hell I'd say that their level 3 and level 6 features, while cool, were designed after their level 14 feature and designed to let you get as much out of that final feature as possible.

  • Is there a book/saga that you finished and cannot forget to the point where it gets harder to read other books?
  • The Witcher novels are one of the few epic fantasy franchises I've read and man, I didn't really like them.

    Unsurprisingly, I came from the playing the Witcher 3, and I loved the first two books; the collections of short stories. The actual main plot felt that it never knew clearly where it was going, and it often suddenly meandered at times that killed the pacing, and man was it horny.

    I don't mind horny either. I really enjoyed reading Murakami's The Wind Up Bird Chronicle, and the authors horniness is prevalent throughout the novel, but it actually works to complement the narrative. Even in the Song of Ice and Fire series where GRRM can get distractedly horny, it doesn't read as off-puttingly as Sapkowski's "edgy horny" style.

  • [Book] Blood Meridian
  • This is my favourite novel of all time. It's interesting how the conversation is always about if it's adaptable into film, where many famous novels are accepted as totally unable to be adapted.

    Part of it comes from McCarthy's very external style of writing. It's basically impossible to covert the layers of subtext in Ulysses to screen, or the introspection of The Bell Jar.

    Hell in university I adapted the first chapter into a screenplay to pass the time and I was super happy with the outcome. I'm paraphrasing here but when the Coen Brothers adapted No Country for Old Men they made a joke that the adaptation was as simple as Ethan turning the page and Joel writing the words. McCarthy's work screams to be adapted.

    On the flipside, Blood Meridian's meandering, epic nature may be what makes it unable to be adapted, not it's cruelty. Any and all adaptations for screen would need to reimagine swathes of the book, which is a disservice to it's structure. Many novels have this difficulty in adaptation but for reasons I struggle to explain, it feels it would hurt this novel more than most. Even if it were to be adapted into a 10 or 20 episode high budget show, I'd doubt it would adapt naturally in it's flow.


    On a totally unrelated note, chapter 14 is such a great chapter. I often pick the book back up to read that chapter again. It's got fantastic prose, a great monologue from the judge, and covers in my opinion the most critical point of choosing evil for the Glanton gang.

  • InitialsDiceBearhttps://github.com/dicebear/dicebearhttps://creativecommons.org/publicdomain/zero/1.0/„Initials” (https://github.com/dicebear/dicebear) by „DiceBear”, licensed under „CC0 1.0” (https://creativecommons.org/publicdomain/zero/1.0/)KH
    Khrux @ttrpg.network
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