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Short Stories and Flash Fiction

  • The Cold Hill (A Drabble)

    Drabble–a short work of fiction exactly one hundred words in length. Written by Universal Monk.

    The Cold Hill

    In 1864, upon a nameless knoll, a man quickly slit his wrists and fell.

    One last murder.

    He could hear the dark red snow under him shift and creak, surrendering to warmth.

    Tears blurred his vision as he gazed skyward—inky clouds cradling a crescent moon.

    He recalled his grandmother, her tattered Book of Mormon a warm solace. Soon, he’d finally discover if divine forgiveness really awaited.

    At dawn, Confederate soldiers stumbled upon his frigid form.

    “Press on, men,” said the captain. “I know this man to be a coward. Take his gun and let the animals have at him.”

    END

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  • Whispers from the Elder’s Garden (A Micro Macabre Chronicle)

    Whispers from the Elder’s Garden

    (A Micro Macabre Chronicle is a bizarre, unsettling tale, crafted in exactly 200 words. Written by Universal Monk)

    The Abernathy estate loomed at the edge of town, overgrown with wild, unnatural flora.

    Whispers claimed that long ago, a sect known as the Dark Mormons had twisted the land with forbidden rituals, making the garden a place where strange things thrived. The townsfolk avoided it, but curiosity clawed at me.

    One evening, against my better judgment, I ventured closer, peering through the rusted iron gate.

    The garden was alive, its plants twisted in grotesque forms, black petals sickly glistening under the pale moonlight. A thick, unnatural mist clung to the ground, swirling around the plants.

    As I watched in horrified fascination, one of the vines twitched, seeming to pulse with life.

    Suddenly, a figure emerged from the mist—cloaked in shadows, silent, yet undeniably beckoning me forward. I fled, heart racing, desperate to escape. But the next morning, a note was waiting on my doorstep: ”Return tonight.”

    Against sense, I returned. The gate creaked an eerie welcome. The plants seemed to whisper, their movements hypnotic. Too late, I realized I’d walked into a trap. The garden claimed me, consumed me.

    Now, I wander the estate, a shadow among shadows, doomed to forever beckon the next soul who dares visit.

    END

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  • Hunger Pangs

    We are sitting in the kitchen when I ask her if she still loves me.

    As she answers, she begins to remove all of the things I don’t like from a paper container of fried rice—the peas, the carrots, the chicken—until there is nothing left but browned rice and slimy onions.

    I feel her doing the same thing with her words—spoon feeding me answers of little substance because she thinks I like the taste of them, how easily they slip down to my stomach.

    She’s right. I eat it all.

    I’m still hungry late into the night.

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  • When The Rains Fall Thickly
    macromic.org When the Rains Fall Thickly by Jennifer Todhunter

    It is in August when the rains fall thickly and your ghost disappears. I am seated on the porch swing, my feet dusting the floorboards, our farm fields overrun and expansive in the distance. I am w…

    When the Rains Fall Thickly by Jennifer Todhunter

    It is in August when the rains fall thickly and your ghost disappears. I am seated on the porch swing, my feet dusting the floorboards, our farm fields overrun and expansive in the distance. I am work-weary, grief-stricken, manifesting moisture of any sort. Our son joins me, his hair tousled by the day, his feet a soft padding down the hallway. I saw Peter’s ghost, he says, pausing to shovel blueberries into his mouth. I saw Peter’s ghost on my bed when I woke, and I wish I could see you like he does: Peter’s ghost sat next to me on the bus, Peter’s ghost did a cannonball off the diving board and soaked my whole class, Peter’s ghost rubbed my back while I barfed in the bathroom.

    But I don’t see you at all.

    You mean Dad, I whisper in our son’s ear, pulling him closer, he was your dad.

    Our son cries and I rock us back and forth. The air is unmoving, stale.

    You used to join me here at dusk, when the falling light made it dangerous to flail blackberries along the ditches, when you couldn’t hold the steering wheel or shovel a fence post any longer. You’d rub my feet, I’d rub your hands. We’d light a fire, watch our son marvel at the magic surrounding him.

    Tonight, our son will wake next to me on the porch swing sobbing. He will say: I saw Peter’s ghost at the barn, at the barn, at the barn, and, for the hundredth time, I will wish he hadn’t followed me there that night. That I hadn’t told you I was worried about the rains. The run-off from the river. The momentum that builds when water has nowhere to go.

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  • Fine Print
    shorts.quantumlah.org Fine Print

    The flat black box can solve almost any problem. Just make sure you read the contract.

    “It’s cold in here,” the woman says, lighting a cigarette, blue smoke catching in the light of the laser.

    “It needs to be cold to work,” I say, “and there’s no smoking in here.”

    In the reflection of my computer screen, I notice her looking around the lab. Her left arm sticking up, the still-lit cigarette in between thin fingers, right arm around her waist supporting the left elbow.

    “I need to know why you’re here,” I say, punching in the code for the entanglement.

    “Why?”

    My chair squeaks unprofessionally as I spin around, “Because, what if I send you to another reality where whatever brought you here has already happened?”

    I wait. This was usually the time where either the reality of what they were about to do hit them or their brain began doubting what I was saying.

    Her body slumps a little, “My son died.”

    I nod and spin back around with a counter squeak from my chair. Typing in random coordinates, I let the quantum machine hum on the desk. The black box was doing its job. It would be a few minutes before she spoke again.

    “Is that it?” she steps over, staring the flat black box.

    It was unimpressive at best. I could hear it in her voice. Just a small six-inch square metal cube, humming as if thinking, which it was.

    “Yep.”

    I took in the full measure of this woman. Tall, well-dressed, nails impeccably done, hair unimaginably soft with expensive products. She had money. It wasn’t cheap to buy a new life, a new reality where the tragedy never happened. Or a new life where they were rich, or a woman, or man, or had no children, or their mothers loved them. But these days, it was mostly a dead kid. Word must be spreading.

    “How long?” she asks.

    “Couple minutes.”

    On the edges of the machine, I could already see the white frost. It was working hard, finding the right coordinates to send this lady back where her son was alive and well.

    “How does it work?’ she steps closer to the oblong ring in the center of the room. A see-through sheet of clear glass covering the opening.

    “I don’t know.”

    Twisting in surprise, her perfectly tailored eyebrows raise. “You don’t know?”

    “I think I can safely say that nobody understands quantum mechanics.” I smile at my joke.

    The temperature drops ten degrees as the glass on the portal changes.

    “It’s a mirror now,” the woman whispers.

    Letting the air out of my lungs, I say, “It’s not a…seriously, didn’t you read the contract?”

    Hugging herself against the cold, she stares at the woman staring back at her, “Most of it.”

    “It’s a reflection from a similar world as ours. She’s you, looking at you from another dimension. Okay?”

    Raising her hand, she waves at herself in the next world.

    “She’s not the one I’m going to replace, is it?” stepping closer to the aperture.

    “No, but that’s the closest world to ours, so it comes up first.” I kept typing, the humming box slows, and the cold stabilizes. By this time, it was nearly forty degrees in the lab.

    “So, I just walk through here and boom, I’m back with my son?”

    “More or less.”

    Another flash and the woman in the reflection is gone, only a copy of my lab staring back.

    “Hey, where did I go?” she says, upset.

    “Well, the other you is probably doing something else. Like at work or with your husband,” I hesitate, “Or with your kid.”

    The words sting. Enough for her straighten her back and almost jump through the portal. This was the moment.

    “There’s a little business we need to take care of,” I say casually.

    Shaking hands pull a silver ring from her pocket, she touches it to mine. On the outer ring, my credits jump six figures.

    Reaching over, I pull out a silver box and open it. Taking out the small device, I walk over and hand it to her. “Now, you do know what happens next?”

    “I go across, and my son’s alive.”

    “Jesus, did you read any of the contract?” I mutter, dropping the round object into her hand.

    “Oh, you mean the fine print? Yeah, I read it. I need to kill the other me, then take over her life.”

    I nod, “Place this within ten feet of her, and there’ll be nothing left.”

    Hefting the ball, the woman asks, “Then what?”

    “Then you live with the guilt.”

    A curt laugh escapes her lips, “No guilt here, buddy. Besides, it’s me, right? I can’t really feel guilty replacing myself?”

    I don’t answer. Instead, I say, “Safe trip.”

    She’s two feet from the portal.

    “Now?” she asks.

    “Anytime.”

    Placing the ball in her pocket, the woman steps through the glass window, disappearing from this world.

    “What happened?” she asks, stunned.

    “Jesus, did you read any of the contract?” I ask.

    “Yeah, but...”

    “You went through. I’m the other guy in the other lab.”

    It always took a few seconds for their brains to figure it out. Multiverses, other dimensions, portals. And I look slightly different.

    “You know where to go?” I ask.

    Her face changes; she knew where to go. It was her life, after all.

    “Yeah.”

    “Don’t get caught,” I call out as the woman leaves.

    “Hey.”

    I turn and see myself looking out of the portal.

    “Hey,” I say back.

    “Did you send anyone today?” I ask.

    “Yeah, he wanted to be rich. What’s with her?” I nod to the door.

    “Dead kid.”

    “Damn,” I say.

    “Things used to be so simple. Now there’s all this emotional baggage they bring with them. I mean killing yourself, who does that?”

    Staring at myself, I look well dressed, thinner, and have a wedding ring. Turning back, I mark the coordinates in the computer and smile.

    “It’s a lot to think about,” I tell him.

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