we are migrating to !guitar_virtuoso@infosec.pub

https://infosec.pub/c/guitar_virtuoso

https://lemmy.world/c/guitar_virtuoso@infosec.pub

I will keep this message and community up for a week to help people transition.

It starts off human then he starts to really let it rip at the end.

I've never heard anyone sound this good on a fretless guitar before.

>"Waltz for Angelo is dedicated to the great master Angelo Debarre who inspired me even before I started guitar."

Score available on Soundslice

Solo album: "Caméléon Waltz"

Guitar made by Yohan Cholet

Strings

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1984 Toronto

skip to 1:08 to really see some improvised acrobatics.

Ted improvises on "Someone to Watch Over Me", "You'll Never Walk Alone" & "Our Love is Here to Stay" at Joey B's Wedding reception

This dude is definitely in the conversation with Derek Trucks.

Another Abasi Concepts guy, blowing minds and upping the ante in the arms race that is shred guitar.

There may technically be better players out there technically. But for me, NO ONE puts as much emotion and nuance into his playing than Julian Lage.

Josh Meader seems genetically engineered to be the most technically proficient guitarist of the new millennium. That spider-like left hand is hypnotic and his picking technique is effortlessly flawless.

IMO, this young man does John Petrucci's style better than John Petrucci himself. His best playing is locked into Instagram's walled garden and IMO what he has chosen to share on youtube pales in comparison. But, here's a short sample of his skill (begrudgingly shared as an Instagram link). This guy's playing is just mindbogglingly clean and harmonically rich. He deserves much more recognition.

One of the only recordings of (IMO) the greatest guitar player of all time that isn't recorded with a potato. ;)

Allan had the improvisational skill and mastery that put him closest ever to being the John Coltrane of guitar. I had the honor of meeting him and seeing him four times before he passed. There can never be another Allan. Rest in Peace, guru.

One of my all-time favorite modern jazz performances; a master class in dynamics and expression.

This performance haunts me to this day. Absolutely flawless.