An awesome debut cassette by this group out of Athens, Geoargia, delivering a salvo of fuzzed out tunes on the intersection of hardcore- and KBD-soaked garage punk. While at times resembling the noise-laden output of groups á la Lumpy and the Dumpers, Soupcans and Black Button i think this stuff would fit equally well within the catalogs of LoFi specialist cassette labels Impotent Fetus and Deluxe Bias, having a similar shambolic energy in common with acts like Septic Yanks, C-Krit, early Electric Chair, Exxxon and Motor Corp.

Two outstanding releases rolled in this week dabbling in unapologetically oldschool aesthetics, both prevailing in their own way by fairly different means. No Brains from Utrecht, Netherlands present an uncompromisingly straightforward blend of timeless garage punk and early eighties, somewhat hardcore- and KBD-adjacent noises. I give this shit 0/10 stars for originality and 20/10 stars for sheer unrelenting force. That averages out to an actual 10/10 record, mind you. You think otherwise? That's 'cos you suck at math dude, deal with it. Also plenty of garage action, although with more of a '77 and power pop vibe, is what we get on a brand new EP by California group The Celebrities via US garage punk bulwark Total Punk. A bit more relaxed tempo-wise but these are perfectly fun and catchy little tunes with some pronounced Dead Boys-meet-Dickies energy goin' on here, making for an exquisite sugar rush of an admittedly, at times, kinda cheesy quality which thankfully always gets countered by way an expertly crafted wall of fuzz. I give it a 11/10 for all the glitz, glamour and star power. Maths man, nothing we can do about it.

cross-posted from: https://lemmy.world/post/13226318

> Awesome to hear this dude's angel voice again! Just a couple weeks ago, Shogun, best known as the powerhouse front man of Royal Headache, made his triumphant return (let's not forget the neat 2018 Shogun and the Sheets 7" though) with the debut EP of Finnoguns Wake, the duo comprising of him and Finn Berzin and now, pretty much out of nowhere, there's also the debut EP by another band of his, Antenna, popping up which, of his projects so far, aligns closest to the oldschool Royal Headache vibe in terms of its song material while moving on from the rough garage sound towards a somewhat slicker aesthetic inbetween the parameters of straight-up melodic punk rock, noise- and power pop with a kinda unexpected Leatherface edge to it. Sweet!

Excellent shit straddling the fine line between hard- and postcore with a smidge of garage thrown in is what we get on the debut EP of Winnipeg group Jug, reaching our shores courtesy of the always reliable Vancouver noise forge Neon Taste Records. Their sound encapsulates exactly the rough and unruly qualities i seek out most from these genres, at the same time sounding reasonably elaborate and well-constructed. At points, you might draw comparisons to stuff like Acrylics, Mystic Inane, Arse, Daydream, Video, Crisis Man, early Bad Breeding… plus a surprise hint of '77 New York in My Body's Doomed!

Similar things, albeit in a somwhat dumber, equally fun and delightfully primitive fashion, are then brought forth on the debut LP of Milwaukee's Innuendo which has just dropped via Unlawful Assambly and Roach Leg Records and on which they hit a sweet spot between simple and stupid oldschool hardcore energy and KBD-drenched garage insanity, ingredients that have stood the test of time being presented in a way here that still feels fresh and alive.

Another bomb has just dropped via Tetryon Tapes. The previous EP Better Homes & Gardens by the Rochester, NY group was a perfectly fun occasion already, albeit one still kinda struggling to seamlessly integrate their oldschool '70s/'80s metal elements into their overall aesthetic. This new cassette rectifies this in part by way of a rough-as-fuck Lo-Fi sound that simply fits them a lot better while their powers of song construction have undoubtedly made plenty of progress as well, resulting in an unforgiving force that skillfully imbues some of the most furious instances oldschool hardcore grime and filth with a distinct dungeon punk note.

Down The Street releases March 22nd via Feel It Records.

cross-posted from: https://lemmy.world/post/13161979

> This New York group's third EP once again showcases them as an overwhelming rowdy force to be reckoned with, made up of equally smart and furious postcore with some surface-level similarities to groups such as Mystic Inane, Wymyns Prysyn, Launcher, Cement Shoes or Liquid Assets. New to me from this group is some pronounced melodic vibe á la Drive Like Jehu-goes-Leatherface in the title track… surprisingly, this too works flawlessly! > >

cross-posted from: https://lemmy.world/post/13156331

> The fol­low-up to last year's sen­sa­tion­al de­but tape AN/​AL by new york garage punk wiz­ard Jean Mignon some­what di­als down the styl­is­tic va­ri­ety fac­tor but ab­solute­ly makes up for it by con­sid­er­ably up­ping the av­er­age en­er­gy lev­el of his straight­for­ward punk smash­ers, pro­pelled for­ward by an un­stop­pable, com­bus­tive dri­ve with more than just a lit­tle un­der­cur­rent of pro­to punk in gen­er­al and the '74-'77 New York scene in par­tic­u­lar. > >

cross-posted from: https://lemmy.world/post/13138161

> National Threat releases May 3rd via Sweet Time Records.

Eyeballer releases March 15th via La Vida Es Un Mus Discos.

Crime, Hysteria & Useless Information releases April 5th via Dirt Cult Records.

Glycotherapy releases May 2nd.

Most Perfect Solitude releases April 26th via Fuzz Club Records.

cross-posted from: https://lemmy.world/post/12436421

> My petty attempts at writing about music might've been even worse 10+ years ago than they still are in the present but at least there's little need for me being too embarrassed about most of the music i've picked back then. Case in point, the new LP of italian group Tiger! Shit! Tiger! Tiger!, the first new music after six to seven years of silence by the group that had the questionable honor of being the subject of the very first 12XU blog post ever (the german language section that is, which goes back to the year 2013 rather than the english section which is less than half as old). Despite their slow pace of output you can't accuse them of lacking staying power, that's for sure! Their sound's progression over the years makes perfect sense to me as well, their excellent 2013 Forever Young LP kinda channeling the bygone late 2000s / early 2010s era of noise pop and fuzz punk groups á la No Age, Wavves and Male Bonding, which then morphed into a more relaxed, indie rock-leaning vibe with on their 2017 album Corners. With this new one, they finally settle into some ultra-classic shoegaze territory with just a hint of post grunge added to the mix, Bailterspace and Swervedriver being the the best comparison i can come up with. Here they slow things down even further without ever coming across as sleepy or boring - it takes a rare amount of elaborate construction work and song-crafting prowess to pull this shit off successfully and these italians deliver on it in droves, more than any other group has done in recent years as it's been a rather sad decade for the genre so far if you ask me, in which most of these groups certainly have all their effect pedals in place while lacking the songs, energy and vision to do anything for me other than gently lulling me to sleep. This one, it sounds kinda oldschool while absolutely not Slowdive-ish and that's like a breath of fresh air to me in these days.

cross-posted from: https://lemmy.world/post/12436172

> It took the Sydney group like a half decade to come up with their third EP but here it finally is in all its glory and spectacle. Their very own fusion of noise rock, hard- and postcore has retained every bit of their frantic energy while mixing shit up just enough to keep things interesting, for example in Shame Bomb, in which they conjure up a previously unheard sense of melancholy. Other times, their speeds and levels of devastation are reaching the explosive force of their debut EP in songs such as Level Skipper and Prick in the Franger, after the slightly more forgiving previous Safe Word EP, while tracks like Night Shift Blues once again supercharge all the grime and dirt of oldschool Amphetamine Repile-style riffing with a relentless hardcore attack.

Somehow, Here We Are releases April 12th via Cercle Social Records.

Peace & Love releases March 8th via Roach Leg Records & Unlawful Assembly.

cross-posted from: https://lemmy.world/post/12151476

> Following up on their much rougher, hardcore-leaning International Heartthrob EP of last year, Indiana's Spewed Brain take their sound into a catchier, slightly egg-ish direction on their new LP while staying delightfully fucked-up and unpredictable, at different times reminding me of groups as diverse as, say, Trauma Harness, Print Head, Exwhite, The Gobs, Snooper, Rolex, Witch Piss or Slimex.

Oh look, it's that mysterious dude again who also goes by such names as Zhoop, Djinn, Nightman, Feed, Brundle and even more disguises i can't recall right now. As usual he does exactly one thing on here and he gets it right every single time - five excellent no-frills minimalist detonations on the intersection of garage-, hardcore- and fuzz punk.

cross-posted from: https://lemmy.world/post/12151362

> I Hate You Don't Leave Me releases February 28th via Toxic State Records.