Conselheiro @ Conselheiro @lemmygrad.ml

Posts

9

Comments

7

Joined

2 mo. ago

I live and breath the revolutionary catechism, which might be a good read to understand your own feelings through something of a complete opposite of how you feel.

But it's also important that there exist ordinary, self-preserving people. Those are the ones the revolutionaries seek to protect and draw their passion from. The same way you think of your mother in case you die, she might feel similar to you. To each person who is still socially connected there are other people who matter. And those, either in concrete relations (like somebody's child) or abstract social understanding (the set of all children in a community) are what usually leads people to be willing to die.

Another important point is to consider how dire the situations are for the revolutionaries you mentioned. Imagine a genocidal imperialist country is invading your homeland, knowing full well that survival would mean slavery, exploitation, torture and all that happened in, for example, the Japanese invasion of China. In those conditions choosing death may not only seem preferable, but also just accelerating the same outcome in case of defeat.

All men must die, but death can vary in its significance. The ancient Chinese writer Szuma Chien said, "Though death befalls all men alike, it may be weightier than Mount Tai or lighter than a feather." To die for the people is weightier than Mount Tai, but to work for the fascists and die for the exploiters and oppressors is lighter than a feather. Comrade Chang Szu-teh died for the people, and his death is indeed weightier than Mount Tai.

Here.

Jokes aside, CPop does exist and could be studied comparatively. I have no idea if it's actually any better there, but could be an interesting topic for Marxists who like that style of music, in both its merits and deficiencies.

Honestly found this post rather tame. I've heard many horror stories from friends who are into K-Pop about how mistreated the artists are, specially the ones that don't get successful and flop. Stuff like getting into horrible debt, being stuck to label but unable to record or sing anymore, and having to right to one's own life.

It always seemed like the terrible state of the US pop music entertainment industry we always knew was horrible (even Nickelodeon did a parody of it with Big Time Rush), but on steroids.

Sadly, I never got interested enough to thoroughly understand and critique it, but what you're describing is too tame even for the US pop industry that churned out Hannah Montana and Ariana Grande through years of child abuse. It's actually much much worse than that.

It's a good wake up routine for me, prevents me from falling back asleep after the alarm rings.

There's probably a cool thesis that could be written about a contradiction within the "America First" movement by being both anti-war and USA exceptionalist in times of decaying imperialism that can only maintained through war. Tucker Carlson and Tulsi Gabbard are the best examples of this.

I'm of the opinion that the continual and prolonged defeat of NATO against Russia is much better for the international proletariat than a proper "defeat" and withdrawal. It's better for their resources to be bogged down in Ukraine for another decade like it's their own Afghanistan than diverted into more winnable wars.

Losing my password to the old account here actually tanked my mental health. Glad to be back!