It'll be so fucking funny if the remaining Avatar movies are unintelligible AI slop that also bring this world a little closer to being a lifeless husk
Isn't he supposed to be an infamous perfectionist with his work?
I guess he might be the 0.001% of AI users who can actually get something usable out of the tools because he's willing to hogtie and drag it through the streets until it does exactly what he wants but like
You have shitzillion dollar CGI industries at your beck and call who can actually make 3D assets the regular way lmao why would you bother browbeating the slop machine instead
A lot of people here are missing the funniest thing about this: SAI is floundering, has lost most of its tech talent, and suffered hard to the double punch of SD3 sucking complete shit and Flux showing up like a month later and being everything people had expected SD3 to be but better. SAI has also been pivoting away from the open source release model that got them literally all of the attention they've gotten in the first place.
So it looks like James Cameron's role with this would be trying to use his reputation to grift more investor money to keep the company that now doesn't have the engineers responsible for all the popular Stable Diffusion models anymore afloat. I wonder if he knows he's hopping onto a failing grift or if they've successfully tricked him into thinking there's anything of value left in SAI?
Yeah. They probably wined and dined him to try and get people to think their failing company still has some merit. This is a very common part of the tech grift, they find some celebrity to endorse them to get more money before they finally cut and run.
Oh boy even more slop and now the slop will derive itself from prior slop and crowd out almost everything else and burn the planet down faster than ever before, and if you don't like it you're an emotional Luddite! Bazinga!
CGI 3 decades ago has nothing to do with what CGI is today lol. Its like comparing the fucking lumiere brother's cinematographe and a camera from the company RED.
It's like Chris Roberts claiming to be a cutting edge "code whisperer" to his credulous Star Citizen cultists when he hasn't actually coded a game since fucking 1994.
moreover, cgi 3 decades ago had nothing to do with stealing people's art today and presenting it as your own as long as it goes through a computer rube goldberg machine
I'm pretty sure he has already done like two "4k remasters" where he just took whatever the latest blu-ray was then upscaled and denoised/grained it with AI so it looks like dogshit.
I'm pretty sure he has already done like two "4k remasters" where he just took whatever the latest blu-ray was then upscaled and denoised/grained it with AI so it looks like dogshit.
Sounds like what George Lucas did to his own Star Wars movies, except in some ways worse.
I wonder if this has to do with integrating into modeling/vfx software like Houdini and Blender.
How's the energy demands and carbon output of that compared to prior conventional methods? I don't know; I'm actually asking.
If it's anything like the giant coal-powered hell factory databases that tech startups are using and expanding right now to chase the "AI" hype dragon, we don't need more of that.
Depends on texture size and model. The models before LLMs and SDF hype are extremely efficient with the right libraries. Without getting to into the weeds these older ones are no different then doing any other image processing (like applying a gauss blur on 8k image or something). Newer stuff uses diffusion models. So something like a 500x500 texture probably is the equivalent to leaving 25 watt lightbulb on for an hour at worst. But you do it once and it repeats so it's efficient. I know the early models were trained on cropped animal patterns, zoomed in materials, and other very vanilla datasets.
Nah, now shit is really gonna pop off. I am excited. Cause as much as this hurts artists it will eventually hurt the studios the most. And after all that settles we can just buy a cheap Chinese solar pannel to give us infinite cheap treats
Everything is getting worse all the time. We can at least enjoy it a little. Democratization of the tools of artistic creation has historically only led to better art